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What do you all think? I would say if you want one of his Pass clones I would buy it now. It really is a shady deal profiting from someone else's design. Especially someone like Nelson. I think it is safe to say he is one of the most generous people in DIY electronics and has given so much of his IP up for people to have fun with. I mean if you want an ALEPH fine build it. He is cool with that. The rules are so lax its stupid to have to break them. Then Nelson will withdraw his service manua's and it will suck for us that are using the info as intended.http://www.diyaudio.com/forums/showthread.php?s=&postid=1657544#post1657544
don't think he's doing anything shadyi have one of his F3si can't afford a brand new F3i can't do it myself - 2 left hands herei had to find someone who would do it for metim did it for a very reasonable money - exactly for what you see his amps on sale aroundi was very happy with itplus tim doesn't really make some money on it - think 100$ or so per ampwhoever is concerned with it should think that there's 2 sides to the storyas i said, if tim wouldn't build it for me, i would never know how great is nelson's designtim won't get rich on itnelson won't get poor on itgod bless them both
I guess there are many ways too look a it. I am not sure lack of technical skills is justification though. Regardless George I would love to compare my Zv9 to youir AlephJ. Both run on Jfets. Also Tom are you the guy who lives somewhat near Syracuse Indiana? I will be out there before Christmas and would love to hear your system.Kris
First off - it was utterly overwhelming. Nelson and Colin filled the bed of their Ford F250 with stuff. The pile was jammed in and extended almost a foot above the sides of the bed in places. Nelson even had to put the truck into "tow mode" to negotiate one of the hills in the city because there was so much stuff in the back. There were thousands of transistors. I recall one sealed Digikey bag containing maybe ten tubes of 50 each IRF9610's, a basketball sized bag of MJ15022's and another of MJ15003's. Nelson was wandering about with tubes of Lovoltech JFET's saying to people "You want some?" and if they said yes he would pour about a dozen into their open hand. There were literally hundreds of speaker drivers, including some very serious ones such as 3 or 4 pairs of Fostex FE208's that were raffled off. Many of the drivers were in unopened PartsExpress cartons. There were dozens of 1KVA and 2KVA toroids, and a whole bunch of 30V-0-30V toroids suitable for pre-amps and crossovers. There were at least a dozen of what appeared to be X150 heatsinks, some with transistors still attached. There were hundreds of old Threshold knobs that Colin was stuffing by handfuls into peoples swag bags as he put it "like Halloween candy". At 7 pm there was still stuff left in spite of almost 100 DIY'ers staggering off with arm loads all day long. I recall four to six Aleph 1.2 transformers still lying there unclaimed as I walked out the door.
Know this is a little off topic but would love to know how these amps sound. I have read the 6 moon review of the F5 which was pretty much a rave but little else. Are the Rawson knock offs exact copies or just in the ballpark? Tons of variations discussed in the long and hard to follow thread over at diyaudio. Love the idea of building an amp but being realistic it also scares the bejsus out of me - should have paid more attention in highschool shop class and alas that ship is long sailed. Why and who would consider this latest firstwatter?
I also have a Rawson clone F5 that I've used in a tertiary system with the Modwright Pioneer player (or a Sansui TU 717 tuner), an Audio Experience Symphonies preamp, and a pair of Tyler Acoustic Linbrook monitors (4 ohm 92db). So far, I've been quite inpressed with the F5 clone and am anxious to give it a try in my main system. The sound seems "punchier" than the F3, but I can't say for sure yet since they are in different systems.
Please do compare Pass F3, clone F3, and clone F5 in one system and report back. If you can, do try to include a good tube amp, preferably single-ended variety in the mix