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How bout a modern version of the Eico 81 is a straight power amp configuration?
aa First, was there ever a Vintage 50 Watt (+-) EL 84 Amp? Second, if not what could you do along the lines of the Manley Stingray? BTW, what is the best PP iron that you use?
Quote from: ZLS on 4 Oct 2008, 10:50 pm aa First, was there ever a Vintage 50 Watt (+-) EL 84 Amp? Second, if not what could you do along the lines of the Manley Stingray? BTW, what is the best PP iron that you use? My favorite PP iron is made by Edcor. The quality is incredible! There were vintage high power PP systems and they typically used 4 tubes per channel to produce 40 watts. Other companies like Altec used tubes like the 811A in push-pull for over 50 watts. Now we have 6L6's with 30 watt anodes and getting 45 or more from a pair is possible. I can make a Push-Pull Parallel El84 Amplifier that's integrated and uses the same quality iron as the Stingray. That would be around 40 watts/channel, use the Schmidt phase splitter circuit, hybrid biasing and have variable feedback. The price would be around $1,700.
I like to make amplifiers that all have similar qualities. I don't want quality to be a function of price. Price is directly proportional to power output and options ONLY.
"I may fall under the "esoteric camp" but a modern power amp using fisher trannies and/or circuits would be neat....and not something you see everyday"I have made an amp with Fisher 400 iron and the results are exceptionally good. The 400's iron has superb bandwidth and high frequencies are extended with extraordinary high resolution. Bass goes down into the subsonics. The kind you can __feel__ before hearing. What I mean by 'extended': "The ability to produce high frequencies without a hint of roll-off." I don't like attenuation or any frequency modifications caused by component inadequacies. If there are to be boosts or cuts within the audio spectrum, I want FULL control over it by designing it in. There are components that can aid in the process of tone modifications and they will be chosen for specific jobs. For example, some people like the sound of specific tubes or want the effects of a tube rectifier in a moderate-power tube amp. Other may require negative feedback. Whatever is it, it can be done and can be controlled so you know what to expect. My basic designs are all transparent sounding and that's why they're so moldable to individual tastes.