Has anyone dumped digital to go back to vinyl?

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boxhead

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Has anyone dumped digital to go back to vinyl?
« Reply #20 on: 9 Nov 2003, 06:15 pm »
CD is great for convienence but for sound quality the LP is still my choice. I guess it is just what one prefers his or her ears sounds best to them. I still need a good concert to realize that my system is still upgradable. Unfortunatley.Cheers

Psychicanimal

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Has anyone dumped digital to go back to vinyl?
« Reply #21 on: 9 Nov 2003, 06:22 pm »
Quote from: doug s.
for the same money, any of your above-mentioned turntables, purchased used (mebbe w/the exception of the rega), will easily outperform the technics, especially if ya give 'em motor & power supply upgrades.
 ...


How so?

Your statement is a thermodynamic impossibility. :nono:

doug s.

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« Reply #22 on: 9 Nov 2003, 06:42 pm »
Quote from: Psychicanimal
Quote from: doug s.
for the same money, any of your above-mentioned turntables, purchased used (mebbe w/the exception of the rega), will easily outperform the technics, especially if ya give 'em motor & power supply upgrades.
 ...


How so?

Your statement is a thermodynamic impossibility. :nono:

how so?  it will sound better.   :mrgreen:

tell me, francisco, how a belt-driven cdp can sound better than a direct-drive model - thermodynamically speaking, of course!  don't get me wrong - i'm not saying it *doesn't*, i yust wanna know *how*!   :lol:

doug s.

Psychicanimal

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« Reply #23 on: 9 Nov 2003, 07:35 pm »
Quote from: doug s.

how so?  it will sound better.   :mrgreen:


Doug,

I'm not veering this thread out of context, like you usually like to do.  I asked the question to have you *think* about the performance requirements of handling transients and meditate on it.  My input was to bring awareness of the artificial enhancements usually put into analog belt driven rigs, as opposed to pitch accuracy and superior information retrieval brought about by proper speed/rotational stability.

There's no need to bring the paramedics when ewe show up.  Lak said at his job they have these portable, compact defibrilators.  He'll bring it along... :rotflmao:

In the belt driven transport, there is no mechanical contact causing drag and the rotation is from 300-500RPM's, so there is less vibration than with a DD motor with a shaft attached to the CD.  My transport is the entry level, but the other models use a ceramic flywheel.

doug s.

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Has anyone dumped digital to go back to vinyl?
« Reply #24 on: 9 Nov 2003, 08:59 pm »
Quote from: Psychicanimal
Doug,

I'm not veering this thread out of context, like you usually like to do.  I asked the question to have you *think* about the performance requirements of handling transients and meditate on it.  My input was to bring awareness of the artificial enhancements usually put into analog belt driven rigs, as opposed to pitch accuracy and superior information retrieval brought about by proper speed/rotational stability...

... In the belt driven transport, there is no mechanical contact causing drag and the rotation is from 300-500RPM's, so there is less vibration than with a DD motor with a shaft attached to the CD. My transport is the entry level, but the other models use a ceramic flywheel.


francisco - ya must be confusing me w/someone else - rarely, if ever are my posts not germaine to the topic - certainly not in this case!   :wink:

i am well aware what speed/rotational stability brings to the analog - and digital - party.  direct drive has its plusses & minuses, as well as belt drive.  the constant hunting of typical direct-drive systems, due to error correction, is a direct-drive liability, as well as tendency to induce motor hum/vibration into the playback chain.  belt-drive has to do w/the relative innacuracy of a rubber or thread or ? belt.  improvements can be had in both; improved power supply & motor is one way to improve...  

yer cec transport may be more musical than yer mccormack transport, even tho the mac provides better extension, stability, & power - according to *you*.  (excuse me if i'm off a bit on the exact differences, i dint go back thru yer comments to check.)  i know yure looking to improve these characteristics of the cec w/some modwright mods...   while i personally haven't ever heard the cec transport, i suspect much of what ya like about it is cuz it's belt-driven, which is specifically what ya don't necessarily like about belt-drive turntables:  "... the artificial enhancements usually put into analog belt driven rigs, as opposed to pitch accuracy and superior information retrieval brought about by proper speed/rotational stability..."  this same statement applies equally to digital playback.  and, yer comments about the cec's adwantages of belt-drive are also similar for turntables.  bottom line is turntables' & cdps' adwantages/disadwantages of  direct/belt drive are similar - it's the execution that is key.  perhaps this is someting *ewe* should medidate on!   :wink:

my point is, that proper speed/rotational stability *is* awailable on the better belt-drive turntables, and can be further improved w/better p/s & motors.  yust like yer beloved technics.  i would prefer a used belt-drive turntable over the technics, at the $1k price-point.  as i said before, it's ok to agree to disagree - whatever floats *yer* boat, francisco!   :)

regards,

doug s.

BikeWNC

Has anyone dumped digital to go back to vinyl?
« Reply #25 on: 9 Nov 2003, 09:16 pm »
Doug,

I agree with your statement that even a moderately inexpensive TT can smoke a lot of digital setups.  I've heard it myself in my own system.  I think the best route to take is what both you and PA have suggested, and that's to buy a decent used TT.  Now that's a topic for a whole new thread!  But I'm sure it is one that has been discussed before.  

It's sad that hi-res digital is struggling to become establish while more lowly forms of digital music (mp3 etc.) become more prevalent.  Perhaps in the future the only hi-res format we will have will be our LPs playing on our old TTs.  After hearing what my old Marantz can do, I think I could live with that if I had to.

Andy

Psychicanimal

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Has anyone dumped digital to go back to vinyl?
« Reply #26 on: 9 Nov 2003, 10:57 pm »
Quote from: doug s.
francisco - ya must be confusing me w/someone else - rarely, if ever are my posts not germaine to the topic - certainly not in this case!

Sure...

Quote from: doug s.
i am well aware what speed/rotational stability brings to the analog - and digital - party. direct drive has its plusses & minuses, as well as belt drive. the constant hunting of typical direct-drive systems, due to error correction, is a direct-drive liability, as well as tendency to induce motor hum/vibration into the playback chain. belt-drive has to do w/the relative innacuracy of a rubber or thread or ? belt. improvements can be had in both; improved power supply & motor is one way to improve...

Modern DDs do not hunt for speed (cog), neither induce hum/vibration.  Mr. Bear (Bear Labs) posted in the Asylum a few weeks ago that the speed hunting pitch had become an old wives tale.  Are ewe still living in 1972?

Here's a picture of the 1200's bearing:



Quote from: doug s.
yer cec transport may be more musical than yer mccormack transport, even tho the mac provides better extension, stability, & power - according to *you*. (excuse me if i'm off a bit on the exact differences, i dint go back thru yer comments to check.) i know yure looking to improve these characteristics of the cec w/some modwright mods... while i personally haven't ever heard the cec transport, i suspect much of what ya like about it is cuz it's belt-driven, which is specifically what ya don't necessarily like about belt-drive turntables: "... the artificial enhancements usually put into analog belt driven rigs, as opposed to pitch accuracy and superior information retrieval brought about by proper speed/rotational stability..." this same statement applies equally to digital playback. and, yer comments about the cec's adwantages of belt-drive are also similar for turntables.

According to Dan Wright, all CEC's suffer the same weaknesses whether my entry level or their 150 lb top of the line w/ flywheel assisted drive.  It's the electronics, not the fact that they are belt driven.  Dan told me he's modded a top of the line CEC, too.  So much for high end... :?

Quote from: doug s.
my point is, that proper speed/rotational stability *is* awailable on the better belt-drive turntables, and can be further improved w/better p/s & motors.

That's absolutely true, but NOT at the level of the TTs I mentioned.  Take a look at Robert Schult's (Ridge Street Audio) home built flywheel assisted belt drive TT.  This is a belt drive that will kick some serious ass:



Sorry Doug, the Oracle did not make the team... :(

doug s.

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« Reply #27 on: 10 Nov 2003, 03:57 am »
Quote from: Psychicanimal
doug s. wrote:
my point is, that proper speed/rotational stability *is* awailable on the better belt-drive turntables, and can be further improved w/better p/s & motors.

That's absolutely true, but NOT at the level of the TTs I mentioned.

================
for the third time - i tink yure wrong.  ok?  can we yust agree to disagree, & leave it at that, or do ya wanna beat a dead horse?

certainly, ya can do better winyl, but as you amply demonstrate - it's at a cost...  meanwhile, relatively inexpensive winyl - BELT-DRIVE winyl - will sound better than most any digital rig - at least to my ears.  

as for whether or not the oracle makes anyone's list, do ya tink i really care?  i know it's the best i will likely ever be able to afford, & it will easily hold its own w/anyting in its price-range - even new.  of course, upgrade motor & power supply make it even better...    :wink:  it has a *killer* bearing ass'y, but i don't feel like taking it all apart for foto's...  :lol:

regards,

doug s.

Psychicanimal

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« Reply #28 on: 10 Nov 2003, 01:29 pm »
Quote from: doug s.
================
for the third time - i tink yure wrong.  ok?


I know--what ewe think it's a thermodynamic imposibility.  That's why I asked ewe to prove it and ewe haven't. It's not that hard.  

Ewe have been basing your thinking on false premises and lack of direct experience: "the constant hunting of typical direct-drive systems, due to error correction, is a direct-drive liability, as well as tendency to induce motor hum/vibration into the playback chain.  The 1200 uses a *bidirectional* DC motor running on a quartz clock and using a speed sensing coil around the motor.  The mechanism applies minute voltage corrections instantly--from each direction--to handle transients, warps and friction.  It thinks.  The more instant power available, the better the music.  That's what I've been doing these past few weeks--improving the power delivery and for every time the electrical resistance is lowered the gains in strength are just impressive.  There's no way a lesser belt drive can successfully plow through those transients. (thermodynamic impossibility).


Quote from: doug s.
can we yust agree to disagree, & leave it at that, or do ya wanna beat a dead horse?

Doug, it is ewe, not me, who springs at the assertions ewe disagree with anytime ewe see them.  All ewe have to do is ignore them.

Quote from: doug s.
certainly, ya can do better winyl, but as you amply demonstrate - it's at a cost...  meanwhile, relatively inexpensive winyl - BELT-DRIVE winyl - will sound better than most any digital rig - at least to my ears.


If it's belt drive, it will cost quite some money to do it very well, but any basic, well set up belt rig will sound more pleasing than digital, but will not be better in ALL areas.  Ewe should get a few CD copies of albums  ewe have w/fast percussion (like Santana), acoustic music w/ guitar and classical orchestral.  Listen to CD and vinyl and start listening where digital outshines.

Quote from: doug s.
as for whether or not the oracle makes anyone's list, do ya tink i really care?


Ewe seem to... :wink:

doug s.

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« Reply #29 on: 10 Nov 2003, 02:01 pm »
Quote from: Psychicanimal
I know--what ewe think it's a thermodynamic imposibility. That's why I asked ewe to prove it and ewe haven't. It's not that hard.

this is totally meaningless.  it really isn't possible to prove someting that makes no sense.  square objects will roll faster than round ones - if the conditions are right.  what does any of this mean?  *NOTHING* - implementation is key.

Quote from: Psychicanimal
Ewe have been basing your thinking on false premises and lack of direct experience: "the constant hunting of typical direct-drive systems, due to error correction, is a direct-drive liability, as well as tendency to induce motor hum/vibration into the playback chain. The 1200 uses a *bidirectional* DC motor running on a quartz clock and using a speed sensing coil around the motor. The mechanism applies minute voltage corrections instantly--from each direction--to handle transients, warps and friction. It thinks. The more instant power available, the better the music. That's what I've been doing these past few weeks--improving the power delivery and for every time the electrical resistance is lowered the gains in strength are just impressive.


any mechanism that applies woltage correction means it is correcting an error *after* it happens.  an error cannot be corrected *before* it occurs.  which is why a better power supply will improve the sonics - which is what ya experienced when ya upgraded the p/s to your technics:  less error correction needed, more inherently stable rotation.  

Quote from: Psychicanimal
There's no way a lesser belt drive can successfully plow through those transients. (thermodynamic impossibility).


i agree.  *BUT*, per my earlier statement, about square objects that can roll better than round ones, i believe it isn't applicable here.  i would prefer any number of belt-drive decks to the technics, as i prewiously mentioned: sota, well-tempered, oracle, yust to name a few.  why?  cuz i don't think they're "lesser", yust cuz they're belt-driven.

i still stand by my original statement - tsunami can easily improve his winyl playback for not a lot of money.  sure, he can get a technics to do it.  but it's not the only way.  i'd choose a used belt-drive 'table.  neither of us is necessarily right - more than one way to skin a cat.

oh, & about my oracle - no, i *don't* care about what list it may or may not be on.  why?  cuz i *love* it, both for its performance, and its looks.   :D   and, i also like the fact that i have some personal handiwork in it, rigging up the o-l dc motor kit for it.

doug s.

JoshK

Has anyone dumped digital to go back to vinyl?
« Reply #30 on: 10 Nov 2003, 02:35 pm »
You guys need to start a seperate thread to discuss DD vs Belt Drive.  I am sorry but this is getting annoying now.

doug s.

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« Reply #31 on: 10 Nov 2003, 02:53 pm »
sorry, josh - yure right - i'm a sucker for francisco's bait - i need to control myself!   :o

doug s.

Psychicanimal

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Has anyone dumped digital to go back to vinyl?
« Reply #32 on: 10 Nov 2003, 03:05 pm »
Quote from: doug s.
this is totally meaningless. it really isn't possible to prove someting that makes no sense.

That's right--ewe are not making sense.  :nono:

Quote from: doug s.
any mechanism that applies woltage correction means it is correcting an error *after* it happens. an error cannot be corrected *before* it occurs. which is why a better power supply will improve the sonics - which is what ya experienced when ya upgraded the p/s to your technics: less error correction needed, more inherently stable rotation.


That's not what's going on.  The outboard transformer is not much larger than the inboard.  Again, ewe are basing your assertions on false premises and lack of direct experience.  The 1200 applies DC voltage simultaneously on both directions, to the beat of a quartz clock.  Just because there is more power does not mean there is less error correction going on.  In the case of a belt drive, more power means better stability at rotating the platter at the chosen speed, but stylus drag (both static and dynamic) is a separate matter.  Ewe have not experienced this so anything ewe say is pointless.  This is not the subject here, so I suggest ewe go to Kevin's website and read on.  Also, it was the Stalker who opened my eyes on the faster speed delivery issues.  I have a pretty interesting e-mail on how he modded his 1200.  He does not like the outboard power supply approach and I've been following his suggestions with great success.  I might even get laid because of that! This Sat night there was a girl paying her cell phone bill at Rat Shack and she was checking me out!  It's been so good w/ the ladies these past few days w/ the full moon and the eclipse that I decided to go to the local strip joint to get a better look at what lies ahead since losing 25 lbs and starting to work out.  When I was paying the cover charge, a girl to my right asks me if the cables I bought at Radio Shack worked!  She's a waitress!!!!!!!! She's got my phone #, dude. :mrgreen:    Let me know if ewe want to read the Stalker's e-mail.

Until ewe visit me, Kevin or Zaikesman ewe will not know.

Doug, ewe need to get hold of people that will help ewe get out of that slump you're in.  I've got Deano, Sean, Dejan, Kevin, the Stalker and lately Robert Schult--people who are really fabulous.  I have learned so much in the past few months is unreal.  Applying this knowledge is taking the system to new heights.

Best,

Francisco

JoshK

Has anyone dumped digital to go back to vinyl?
« Reply #33 on: 10 Nov 2003, 03:13 pm »
Fransisco....dude....drop it already or start another thread.

Psychicanimal

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« Reply #34 on: 10 Nov 2003, 03:14 pm »
Quote from: JoshK
You guys need to start a seperate thread to discuss DD vs Belt Drive.  I am sorry but this is getting annoying now.


It's not a DD vs belt issue, Josh--at least to me.  It's about what is sound and what is adulterated sound.  Doug takes it personal for whatever reason.

I've told Doug but I don't know why he constantly does this, even after I tell him what the proper course of sanity is:

Quote from: Psychicanimal
Doug, it is ewe, not me, who springs at the assertions ewe disagree with anytime ewe see them. All ewe have to do is ignore them.


He's also done it in threads in which I'm not involved and someone actually asked my why...

john curl

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Has anyone dumped digital to go back to vinyl?
« Reply #35 on: 15 Nov 2003, 11:35 pm »
Doug, you are right.  Belt drive does NOT impart so much garbage into the turntable itself.

Psychicanimal

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« Reply #36 on: 16 Nov 2003, 02:32 am »
Quote from: john curl
Belt drive does NOT impart so much garbage into the turntable itself.


Nobody has to tell me that.  I have Sorbothane hemispheres as footers, a marble cutting board under, supported by three Goldmund cones w/ brass discs on top of an IKEA Lack table; a Bob Regal foot next to the tonearm, Marigo dots on the tonearm bearing housings and am driving to Chicago as soon as I can to get a mean old Dennensen inflatable platform.  The platform will support a non resonant, Caribbean Moca wood board and the 1200 will be placed under three Goldmund cones for a start.  I have things under control... :dance:

peakrchau

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Re: Has anyone dumped digital to go back to vinyl?
« Reply #37 on: 16 Nov 2003, 08:42 pm »
Quote from: Tsunami
I... In many ways it stomps my digital gear.  I wonder if this old TT with a Grado gold cartridge can sound this good how amazing would a better analog setup sound?  I'm thinking about selling my digital gear so that I can upgrade my TT, etc.  Has anyone pulled the plug on their digital gear to concentrate on analog?  How has it worked out? Any regrets?




Here is the tale of Jerome's  journey to analog and and back to digital over the course of a year.  It took a year to happen from April 2002 to April 2003 and amounts to 11 posts.

WerTicus

Has anyone dumped digital to go back to vinyl?
« Reply #38 on: 17 Nov 2003, 02:43 am »
My old garad record player just does not keep up with my denon dvd2900... though i still like to listen to my garade unlike my old jvc cd player.   Records do sound 'nice', but i feel they lack dynamic range compared with sacd and dvda.  But of course the record player is probably worn out although they are supposed to be 'good' im told?