Safely connected behind the excellent parasound P3, firmly bounded with Duelunds silk spun signal cables, it was time to be amazed.
The first thing the Emblas did was to bring heavenly sound out of Tannoy Sandringham, and not just that, they did it with a obviousness I can't remember I've ever heard on this side of 250 Watt. It was so silky smooth, that I became utterly fascinated over the beauty of Losa Ekdahls voice. Either almost every other amp is rough and muddy, or the Embla is a silky smooth liar. But that's hard to believe, when you're fed with such a calm and detail, so incredibly much better than almost anything you've previously listened to. Surely in this price segment!
I want to get to the bottom of this silk phenomena, and used the Klipsch RF5 instead of the Tannoys. These speakers don't sound as soft, that's for sure. But with Embla they're soft as air at the top, and smooth as teflon in the mid tone, precise as a rolex in the bottom tones. There's full "steel control" over the entire sound scape.
At last I hooked up Audio note M5 in front of the Emblas, and the last pieces falls into place. This amp compares to the most expensive Krells and Dynamic Precisions, with a cost that's a joke compared to them.
Because Embla makes a intense love pact with the Audio Note preamp, here there's not just openness and control, Embla also shows us the tubes wonderful and intense mid tones in a way I've never heard from transistor amps ever before.
I've just heard the sound of the future, and Emblas amps are just the first edition of a relatively new type of amp and
there's still unused potential here.