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Quote from: Crimson on 10 Feb 2008, 11:57 pmQuote from: James Tanner on 10 Feb 2008, 10:16 pmHi Crimson,What are your thoughts on Biamp vs Passive with the 3.6's.jamesQuoteHi James,IMO, two deficiencies of the 3.6 are 1)they require lots and lots of power to sound effortless 2)they are a little dark i.e. are slightly lacking in lower mid-range energy (which I attribute to the passive crossover). Active biamping fixes the first issue, and the use of an adjustable active crossover lessens the second. My preference is to biamp as I'm able to take their already fabulous sound to the next level. I've even gone a step further 'effectively' triamping them by rolling them off at about 60Hz using a shallow sloped high level crossover to powered subs. In a word, the sound is sublime with no audible issues in the crossover region(s) (not to take away from them in stock passive form).Hi Crimson,Tried the MG-3.6 with a 10B and 4-7B's in active bi-amp mode this weekend - I agree it takes it up a notch.jamesJames,I'm assuming this was compared to a pair of 7-B's. How did it compare to a pair of 28B's? Did you use the recommended crossover frequencies and slopes? BTW, I use the 7B's on the bottom and tubes on top.I am trying it a number of ways. So far the 7B on the bottom and the 28B on top sounds the best. Going to try 2-14B's as well.I am also experimenting with crossover slopes - started at 200 on the highpass at 6dB and 250 on the lowpass at 18dB-gain at 0.james
Quote from: James Tanner on 10 Feb 2008, 10:16 pmHi Crimson,What are your thoughts on Biamp vs Passive with the 3.6's.jamesQuoteHi James,IMO, two deficiencies of the 3.6 are 1)they require lots and lots of power to sound effortless 2)they are a little dark i.e. are slightly lacking in lower mid-range energy (which I attribute to the passive crossover). Active biamping fixes the first issue, and the use of an adjustable active crossover lessens the second. My preference is to biamp as I'm able to take their already fabulous sound to the next level. I've even gone a step further 'effectively' triamping them by rolling them off at about 60Hz using a shallow sloped high level crossover to powered subs. In a word, the sound is sublime with no audible issues in the crossover region(s) (not to take away from them in stock passive form).Hi Crimson,Tried the MG-3.6 with a 10B and 4-7B's in active bi-amp mode this weekend - I agree it takes it up a notch.jamesJames,I'm assuming this was compared to a pair of 7-B's. How did it compare to a pair of 28B's? Did you use the recommended crossover frequencies and slopes? BTW, I use the 7B's on the bottom and tubes on top.
Hi Crimson,What are your thoughts on Biamp vs Passive with the 3.6's.jamesQuoteHi James,IMO, two deficiencies of the 3.6 are 1)they require lots and lots of power to sound effortless 2)they are a little dark i.e. are slightly lacking in lower mid-range energy (which I attribute to the passive crossover). Active biamping fixes the first issue, and the use of an adjustable active crossover lessens the second. My preference is to biamp as I'm able to take their already fabulous sound to the next level. I've even gone a step further 'effectively' triamping them by rolling them off at about 60Hz using a shallow sloped high level crossover to powered subs. In a word, the sound is sublime with no audible issues in the crossover region(s) (not to take away from them in stock passive form).Hi Crimson,Tried the MG-3.6 with a 10B and 4-7B's in active bi-amp mode this weekend - I agree it takes it up a notch.james
Hi James,IMO, two deficiencies of the 3.6 are 1)they require lots and lots of power to sound effortless 2)they are a little dark i.e. are slightly lacking in lower mid-range energy (which I attribute to the passive crossover). Active biamping fixes the first issue, and the use of an adjustable active crossover lessens the second. My preference is to biamp as I'm able to take their already fabulous sound to the next level. I've even gone a step further 'effectively' triamping them by rolling them off at about 60Hz using a shallow sloped high level crossover to powered subs. In a word, the sound is sublime with no audible issues in the crossover region(s) (not to take away from them in stock passive form).
Thanks, James. I realize it's indeed a tough call. If there's any development on the trickling down of 28B's input stage into the 7B's & 14B's, please let us know.BTW, the SP 3 looks quite nice for the upcoming CEDIA. I'm eager to know how its bypass analog sounds compare to that of the BP26. A bit worried that the video circuitry would compromise that somehow? Have a nice weekend.
One pair of 7B-SST's (US$ ~7,595)
Quote One pair of 7B-SST's (US$ ~7,595)Klao,If you have any other expensive hobbies to support, like clothing your family or eating, :>) be assured that while your "last" suggested configuration may also be "least" when compared directly against the top two alternate options, on their own, the 7B-SSTs in conjunction with the Magnepan MG 3.6s provide a powerful yet nuanced presentation worthy of your consideration. This combination will stand up to extended critical listening, and provide a lot of enjoyment "bang for the buck$". (I know, since that is the "compromise" configuration I settled on for my own system.) Of course if money is no object or other spending priorities fall by the wayside in contrast to this decision, then the top tier recommendations have superior sonic potential -- assuming the room is right and other components in the reproduction chain are equally up to the task.Burke
Quote from: Burke on 17 Aug 2008, 05:50 pmQuote One pair of 7B-SST's (US$ ~7,595)Klao,If you have any other expensive hobbies to support, like clothing your family or eating, :>) be assured that while your "last" suggested configuration may also be "least" when compared directly against the top two alternate options, on their own, the 7B-SSTs in conjunction with the Magnepan MG 3.6s provide a powerful yet nuanced presentation worthy of your consideration. This combination will stand up to extended critical listening, and provide a lot of enjoyment "bang for the buck$". (I know, since that is the "compromise" configuration I settled on for my own system.) Of course if money is no object or other spending priorities fall by the wayside in contrast to this decision, then the top tier recommendations have superior sonic potential -- assuming the room is right and other components in the reproduction chain are equally up to the task.BurkeHi Burke,Thanks for your kind input. Unfortunately, I don't have such other expensive hobbies or rich uncle's estate to support, so money is always the object. I agree with you on a single pair of 7B-SST's with the 3.6's, because I auditioned them in my system. Love their synergy immensely. However, the local distributor here in Bangkok last quoted them equivalent to around US$10,000! So I'm still debating maybe I should start with the smaller 4B-SST first and then add another 3B or 4B later for active bi-amping when my discretionary income permits. Thus, that tough question to James.Klao