Okay, I've listened extensively to my new Bryston BCD-1,for the last two days comparing it to my Sony NS9100ES and I'm ready to write my review.
Equipment:
Pre-amp for multi-channel: Yamaha RX-V2200
Amps- Bryston 3B SST, 3B ST, 2B LP
Power conditioner: Art SP 4x4
Graphic Equalizer: Alto EQU231LED
Speakers: Paradigm Studio 100 v2, Paradigm Studio 20 v3, Paradigm CC 470 v3, Paradigm cc 370 v3, Paradigm Monitor 9 v2, B&W DM 601S3
Sub: Velodyne CHT-10
Interconnect: Cordis Crosslink
Speaker wire: ordinary 14 gauge
6 Decibel boost applied to bass freq. with equalizer.
First off my 9100 was a upgrade from my Sony DVP NS975V. The 975 is a good mid-level player that sounds bright compared to the 9100. The 9100 initially seemed only marginally better, but overtime I found I was using the 9100 exclusively because of it's more natural sound.
I use the 9100 by toslink as I could not discern any difference between analog when volume level matched.
First impressions of BCD-1 powering up using analog connection, bass was solid. Also the BCD-1 using analog is the first time I heard analog better toslink.
Playing my favorite cd's in the Bryston then playing it on the 9100.:
At low spl level, below 85 decibels I could not discern any significant difference between the two players. At higher spl levels, (my typically volume levels), that I discerned differences. The Bryston was tonally accurate and became even more apparent the louder the volume. Drums solos like the Mule in Made in Japan or Moby Dick in Song Remains the Same sounded so real. Cymbals are distinguishable from just a clang. At the end of Whole Lotta Love the gong was a gong and not a garbage can lid.
The Bryston presents a slightly more forward image than the 9100 which seems to suspend in the air giving the perception of depth and body. I never perceived harshness in the cd's I played.
The BCD-1 was not able to salvage a terrible recording like the Song Remains the Same disc 1, it still sounded like crap. But on another mediocre recording such as Rush- Exit Stage Left, it seem to elevate the playback to a remastered level. I was able to discern in the song Jacob's ladder a kick drum, whereas before I thought it was the bass guitar. The song 'Radar Love' by Golden Earring which everyone knows is bassy, came through like I never heard it before, with very natural sounding bass.
Conclusion:
The BCD-1's strength is the tonal accuracy, which is sharp and articulate throughout the sound spectrum with natural sounding bass. It clearly bettered the 9100 in cd playback at higher spl levels. However, the BCD-1 did not elevated cd's to concert dvd levels as I had hoped.
As for cd playback, it's the best I've heard.