Wayne,
You just have to brag don't you?

We only got around 0.5 inch of rain out of the monsoon. We could see rain to the East on the Superstitions (around three miles away), rain to the South over SanTan. We mainly just got dust!
The Mundorf caps present quite a difference than the Dynacap. At first, they sounded weak by comparison. The Dynacaps in the Aikido somewhat levelled the playing-field between Phono and CD. Now that the Mundofrs have had some burn-in, I really like them. They appear very transparent, but forceful. At first I thought that the bass was a little recessed, so I went back to the Sylvania 5V4GA (the RCA counterpart gives lighter bass). Then on Sunday, I played Jethro Tull's Songs From The Woods and the bass felt boomy. When I moved the speakers four inches further away from the back wall (to a total of around 16 inches), the bass became tamed. Last night, I played Jethro Tull's Heavy Horses - I don't have many of their albums, but I have the former as CD (and vinyl back in the UK with my other records) and managed to buy both SFTW and Heavy Horses as used LP's for $3.00 ea. Anyway, their music has a tendency to include a rather full range of frequencies and considerable transients. They sound great!
In my opinion, the Dynacaps have added a wonderful tonal quality to my system. They are noted for their midrange, which to my ears seems to be lacking from many CD's in my collection. The SS AKSA55N also benefits from active preamplification especially in its bass responses. These caps fit in best (in my system) in my preamp, although I have not tried them in the AKSA (this would mean quite different values on the AKSA output for driving 8R speakers).
For the Cornet2, the Mundorfs seem perfect as the output capacitor. They are solid players and don't appear to have any biases across the audible frequency spectrum. I would certainly recommend them for a high quality Cornet2. I remember Bruce Anderson (maker of one of the first Aikido preamps) telling me that as DIYers, we are not working to a profit margin and so can justify using the best quality components that we can afford. While I would avoid boutique resistors for the Cornet2 (maybe the odd wirewound in critical positions), the best sonics have been achieved in my Cornet2 via the PSU, capacitors and of course, the tubes.
Regards,
Charlie