I just thought I'd update you guys on the LS-9 progress.
I have the pair of prototypes up and playing right now. I still don't have the bases on them yet and the crossovers are externally clipped together on the floor behind the speakers. That mess of wiring behind them...
The crossover design was exactly what I thought it would be. The woofers and tweeters mate seamlessly. That was the easy part. I then spent a considerable amount of time tweaking the bass management system. I had to figure out how to best attenuate the range of gain and try to build as much flexibility into it as possible.
These things want to keep on playing in the lower ranges. It is really hard to tell just where it drops off. Right now I have the bottom end adjusted so that it is fairly flat in my room and it still leaves some room to pull more out of it if needed. I still have a rise from about 30Hz to 20Hz though that I don't think I will get out of it unless I plug the ports with foam plugs. Yes it is louder in the lowest range.
Since it is a little hot on the first half of the first octave, I have no idea where it's -3db down point might be in this room. My Clio only gives me measurements to 20Hz, and it is at least 5db up from flat at 20Hz. I sent it sign waves at 30Hz, 25Hz and 20Hz just to listen. It sounded like it got a little softer from 25Hz to 20Hz but I am pretty certain that is just my hearing dropping out. It still hit the room pretty hard at 20Hz, and the measurements confirm it. So I sent it an 18hz and a 16Hz signal and it sounding like it was hitting the room pretty hard there too. I'll have to get a SPL meter over here to see where it really falls off.
They certainly play lower than my dual SW-12A's with PR-12A's. In my room that sub starts rolling off some at 25Hz and is several db down by 20Hz. The LS-9's go way lower.
The real difference though is the speed and articulation of the bass response. These things will hit incredibly high output levels in the low ranges then immediately stop. It is easily some of the best bass response I have ever heard form any speaker or sub. And 24 6.5" woofers can really push some air. The Chinese percussion track from my Burmester 3 CD took on a new level of realism.
The longer line of tweeters had a nice smooth roll off into the lower ranges that put a natural crossover point at 850Hz. This is not much lower than the 1kHz crossover point on the LS-6's, but it sure made a difference. The LS-9's easily win out in detail level and resolution.
I think the deeper box may also be contributing to the woofers having a more transparent sound to them than the LS-6's too. They are really transparent especially for a large imposing speaker. I guess they are transparent as long as your eyes are closed.
Imaging is incredible and the sense of ease that these things have even when hitting big transient peaks is just amazing.
These speakers are going to be a lot of fun for a lot of people.

