Hello Jim,
Before taking the photo I rechecked everything and realised that what I had taken for granted were the two 0.1uF coupling capacitors on the first stage. These were OS (old stock) PIO (paper-in-oil) caps. From dates shown on other similiar items these must be over 30 years old but I thought the PIOs would give me that special sound. I decided to change them to ordinary polyprops and the result was spot-on. The Coronet came to life with its renowned bass and sweet treble. Midrange is articulate and full-bodied.
Although I'm using a low powered triode-connected SE KT66, driving Yamaha NS1000 (claimed 90db/W sensitivity), the volume is still 'robust' in my 3 x 4 metre listening room (rather heavily furnished). Signal input is from a Garrard 301/Rega/Nagaoka MP20 directly linked to the preamp section of a CJ DF1 cd-player. I feel there is good synergy between various system components.
Thanks to your input and suggestions I have been prodded to re-check and re-evaluate my work. Needless to say,
Congratulations!!! 
on a very well-designed and satisfying phono preamp. The preamp is still breaking in and I still have to check that the voltages at the various stages are correct. But for the time being I'm captivated by the sound of the Coronet 2-6sn7!!
Best regards,
Joe A