I was reading either here or another forum about the audiophile fuses that are mushrooming out there.
Trying to make sense of both those that proclaim fuse quality matters not, and those that claim genuine benefits from these $30 fuses...I read deeply into the subject (as deep as Google could deliver it to me) the other night.
One test of a group of lads found that ceramic fuses (or ordinary or audiophile persuasion) sounded
better than their glass counterparts of the same type. I had bought a couple ceramic fuses from Lee over at Cryo-Parts a while back and installed in my Maggies (when they had fuses in them - pre-modding). The benefit seemed small, but worthy for the small price paid. But, I wondered was the benefit the cryo job he does on them, or was it the ceramic??

Putting all of this varied information together today, I realized that glass fuses, much like tubes, are subject to voltages and (likely) microphonic vibration. I've been fantastically pleased with Herbie's tube dampers - and mortite top hats - in damping out glass resonance. The effect is a little tighter presentation from all my tube amps and pre-amps: a bit better focus and separate of instruments, and clearer vocals. Glass fuses, also subject to these resonant forces, may well respond to similar damping.
Taking teflon plumbers tape, bought at the Hardware store for a few dollars, snipping off a 1+" piece of it...I wrapped it tightly around each of the single 3A fuses in my tube mono-blocks. OOOOala, seemingly the
same benefit as tube damping: a bit better focus and separate of instruments, and clearer vocals

While you're at it and the fuses are out, clean the metal ends off with Caig or similar and insert back in the holder (it can only help things further).
The effect
wasn't night and day component swap stuff...but akin to changing out tubes, or, damping tubes. As it cost nearly nothing to do and gratification is immediate, I'd love to hear if any of you hear the same benefit when you do so.
Enjoy the tweek
