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Here's my impression of the Phonomena after a couple of hours:Grateful Dead's Touch of Grey has never sounded more three dimensional. I've listened to this album many times, but Jerry's voice has never sounded more throaty and real. Pink Floyd's Breath has never sounded so airy and open. There's a completely new spaciousness going on in my living room. Sound is coming from behind and to the sides of my speakers where it has never come before. I've been waiting for this upgrade for a long time, but didn't know where to find it. The skeptic in me has kept my hands tied. I've been let down so many times with "must-have upgrades," that I've become numb to the hype. This one has proven me wrong and it's really exciting. My bass has improved, too. It's hard to pin it all down, but there's a significant improvement going on. An Evening with Windham Hill Live (1983) has never sounded so absolutely real. It's one of the best vinyl recordings I've ever heard, so it sounds good on any system, but it took on a whole new dimension tonight. I was listening to Fleetwood Mac Rumors last night, so it wasfresh in my mind. I can't believe how different it sounds tonight.Stevie Nicks voice is so husky and sexy. I heard something new on "Dreams" that made me think someone was outside yelling. Stevie does some sort of echoed howl that sounds like it's coming from another room. It's way cool! My speakers are disappearing like they've never done before. I think I just found the component that brings my system to a new level. I thought it would be an expensive cd player. But when that didn't happen, I thought it would be a tube preamp. When thatdidn't do it, I thought bi-amping would clinch the deal. When that didn't do it, I bought some pricey speaker wire. On and on and on... In terms of upgrades, this one ranks at the very top. My Musical Fidelity X-LPS is going up for sale asap. I've never felt this detached from a piece of stereo equipment. I usually want to keep it for sentimental reasons, but now I'm in love with the Phonomena!
interesting. i bought one several years back, (w/o the battery power supply), & i was so happy the seller offered a 30 day money-back return policy. even the built-in fono stage in my then linn kairn preamp smoked it. i found the phonomena to be dry, lifeless & two dimensional. i am now happy with my pentagon ps-3 fono stage. a while back, i bought a hag tech bugle that someone had assembled into a really quality-looking package, just for grins, cuz it was so cheap; but i have yet to try it.ymmv...
Duggie, I think dry, lifeless and two dimensional are hallmarks of good solid state gear, in general. It's one's preference for them, or tubes, that would be determinant of whether it is a good product fit or not. I think tube gear is generally rich, bouyant and three dimensional - but, I believe it to be the effect of (to borrow a phrase of Frank van Alstine) a product of 'euphonic coloration' rather than an accurate depiction of the recording. I wasn't always a fan of euphonic coloration (nee, tubes)....but they are where I want to be now in my stage of life and listening habits. But, I still have a fond appreciation of how wonderfully uncolored the Musical Surroundings Phenomena really is. I found the most pleasing pairing was running it into the aux jacks of my tube preamp...to add that last bit of life (coloration) and airyness/3 dimensionality that the Phenomena is incapable of achieving. To each is own Quote from: duggie on 13 Feb 2007, 05:26 pminteresting. i bought one several years back, (w/o the battery power supply), & i was so happy the seller offered a 30 day money-back return policy. even the built-in fono stage in my then linn kairn preamp smoked it. i found the phonomena to be dry, lifeless & two dimensional. i am now happy with my pentagon ps-3 fono stage. a while back, i bought a hag tech bugle that someone had assembled into a really quality-looking package, just for grins, cuz it was so cheap; but i have yet to try it.ymmv...
Duggie, I think dry, lifeless and two dimensional are hallmarks of good solid state gear, in general. It's one's preference for them, or tubes, that would be determinant of whether it is a good product fit or not. I think tube gear is generally rich, bouyant and three dimensional - but, I believe it to be the effect of (to borrow a phrase of Frank van Alstine) a product of 'euphonic coloration' rather than an accurate depiction of the recording.
re: line stages, i cannot imagine ever using one as my main preamp in my main rig....
Quote from: duggie on 16 Feb 2007, 01:03 pmre: line stages, i cannot imagine ever using one as my main preamp in my main rig....Duggie,What do you mean by this? Sounds like you would always want the phono pre included in the preamp? Any reason for that, other than aesthetics? Yet you own a phono pre; I'm confused.
Well, this post is 2 and a half years later. Has anyone heard or purchased the Phonomena II that replaces the original Phonmena from Musical Surroundings?
Quote from: sanlanman on 9 Oct 2008, 02:03 amWell, this post is 2 and a half years later. Has anyone heard or purchased the Phonomena II that replaces the original Phonmena from Musical Surroundings? That, and some suggestions for a really good, really affordable tube phono pre. Thanks.
Quote from: jimdgoulding on 19 Nov 2008, 04:31 amQuote from: sanlanman on 9 Oct 2008, 02:03 amWell, this post is 2 and a half years later. Has anyone heard or purchased the Phonomena II that replaces the original Phonmena from Musical Surroundings? That, and some suggestions for a really good, really affordable tube phono pre. Thanks.http://www.audiogon.com/cgi-bin/cls.pl?preaphon&1232242859&/Jolida-JD-9A-Tube-phono-preamphttp://www.audiogon.com/cgi-bin/cls.pl?preaphon&1230249675&/Jolida-JD-9A-Level-1-new-modifhttp://www.6moons.com/audioreviews/jolida3/phono.htmldoug s.
Weve got a review of the Phonomena II in the Dec issue, stay tuned...