Thanks Danny, they did turn out nice. I'm getting pretty decent at putting down veneer by now. That bubinga was really hard to work with too. Lots of open grain, and really brittle. They probably weigh twice as much as they did when I started, and feel totally dead. Overall the boxes were a success, although probably more of a PITA than doing some from scratch.
Yea Ryno, they're active between the top and bottom - with the standard A/V3 crossover for the top. But I think I've mentioned that a couple times already in this thread

They're done now btw, hooked up and I've been cranking em for the last 3 hours. All I can say is they're the best speakers I've ever heard in my house. I feel like going nuts with adjectives, but they've only been up for 3 hours

Seriously though, wow! They sound absolutely huge, notes and vocals mixed stereo just float in about a 8'x4' elipse in the middle of the stage, and individual instruments can be pinpointed perfectly when the recording means it that way. What I had hooked up immediately before was the Nat P - MTM using Dayton RS180/RS28a. Honestly, I enjoy those a lot, and didn't expect these paper drivers to match the detail from the aluminum Daytons, but they really do ... and exceed it noticably.
I think this is what I was looking for all along! Loads of detail, I'm already hearing things I haven't heard before - like decay on acoustic guitar notes. But the trick for me was I wanted that detail, but still be able to crank poorly recorded metal and not have my ears melt like many 'detailed' speakers will do. These had no problem playing Pantera - Walk at volumes I've never attempted before

And did somebody say dynamics!!!
Expect a full report tomorrow, I'm stoked though. I'm really anxious to let some of the Zaph nutlickers who quantify a driver only by it's distortion measurements take a listen to these though
