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The first generation 40's (which you have) with the spirals had a lean tonal balance. In a small room the reinforcement from the three main modes, particularly 71hz/8 ft ceiling, filled in. Your larger room lacks such reinforcement, normally a good thing. But it makes the speakers sound thin.Solution: Add a sub.
I am having a hard time in my room getting adequate bass out of my RM 40's.As a result, I have to really turn my ribbon panels down.I have tried several powerful amps on my speakers, and played with the putty a lot.My speakers were purchased used, and so I started over with new putty.I finally found some rope caulk, and measured a 8 inch long strand as I read to do in another thread.I added that after I removed all the old putty, and tuned.But I just can't seem to get enough bass drive to match the ribbons.I am using only 14 guage wire, 12 feet on one side, and 15 feet on the other.My friend Mike who also has RM 40 suggested I get some additional wire to combine with the 14 guage, and I am going to do as he suggests.He says his 40's bass goes away unless he has big wire on the woofers.'Anyone else ever experienced this ?
The new, stronger midbass 10" plus the waveguide bring up the bass nicely on the new models.
Quote from: ka7niq on 16 Dec 2006, 08:00 pmI am having a hard time in my room getting adequate bass out of my RM 40's.As a result, I have to really turn my ribbon panels down.I have tried several powerful amps on my speakers, and played with the putty a lot.My speakers were purchased used, and so I started over with new putty.I finally found some rope caulk, and measured a 8 inch long strand as I read to do in another thread.I added that after I removed all the old putty, and tuned.But I just can't seem to get enough bass drive to match the ribbons.I am using only 14 guage wire, 12 feet on one side, and 15 feet on the other.My friend Mike who also has RM 40 suggested I get some additional wire to combine with the 14 guage, and I am going to do as he suggests.He says his 40's bass goes away unless he has big wire on the woofers.'Anyone else ever experienced this ?Couple things to try:1) Move the speakers closer to room boundaries, which will reinforce low and midbass2) Check that all woofers are "in phase" with a 9 volt battery (see if they both move "in and out" at the same time3) Press gently on each woofer and the PR, to see if the system is "well sealed" and pressing in causes the other driver and PR to move out.4) Move your listening positions forward and backwards a few inches at a time to see if you are seated in a bass node5) Try the Sonic Director "tweak" (do a search for Sonic Director) posted some time ago on this site.6) Remove PR and perform the Elmer's Glue Vitrification, if it has not already been done7) Upgrade to the new "midwoofer". Separate amp (bi-amp) Woofers9) if single amp/wire plug into woofer (upper) binding posts first10) Try your friends suggestion and run a "double run" to the woofers.Just a couple things to try.
ka7niq,there has been significant upgrades since the original spiral versions . All ,I think in what your looking for.New mid bass , cut off is 280 hz from 166hz. Your mids now are essentially big tweaters,they go up to 10,000hz.New cut off is at 6900hz. I've lined the mid chamber with foam in addition to lambs wool which very noticeably added fullness and warmth. finally,it will be awfully awfully sweet with the addition of the new G3 tweater which you have room for.Dream on. Stan
Yes , I don't understand these things from an engineering stand point as well at all. I'm a mechanical tweaker/ tuner and though not everyone finds these changes to their liking, the improvements are tried and true , like Sonic barrier, cabinet bracing and lambs wool. Wool is $20.00 per lb at Maddisound, you'll need 2 . They have the foam as well. And one very important mod that may not have been performed on your version is the mid panel rebuild thats done at the factory. Check with Brian on this.Stan
Harvey,I believe it stiffens the surface of the cone. It also affects the putty level (obviously, as the weight of the cone changes). However, the cone distorts shape less, which leads to your ear hearing less distortion. As for Q, lower Qs (basically) mean that the response is slower; higher Qs mean that the response is faster, so fast to overshoot. I'm not sure which one would translate into "warmer".