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I agree that for the money, Meadowlark makes one of my favorite speakers. You either like them a lot, or you don't like them at all. I don't know too many people on the fence.
am curious to know what characteristics these speakers exhibit that makes some people like them a lot or not at all.
I'm a fan of transmission lines, and first order crossovers too. I'd also vote for single driver systems and avoid crossing over in that same 80 - 8,000 Hz range. The best I've seen to do all that are the designs based on the E. J. Jordan 92S 4 inch aluminum foil driver that may allow you to do without a sub, depending on your room size and taste. The 92S is designed to have the center flex to higher frequencies, Ted has worked on this concept for decades. In free space the driver is rated from 40 - 20,000 Hz and 88 dB/w/m with good off axis response. The T-line extends the bass, evens out the impedence for easy amp loading, and keeps things quick/accurate/musical down low. The Jordan site offers DIY cabinet plans, the Gaincard company offers an expensive/beautiful version, and Carolina Audio offers 3 cheaper versions in gloss black.quote]JLM,You are almost exactly describing the speakers I have been developing for the last six months. I'll have more info on them in about a week, conciding with the official release of my business. I think people will be very impressed with the attractive price and attention to detail. And of course... the sound is
Actually, Kevin, what might be the best would be some spiffy avatar for Solar HiFi. Not that you aren't upfront about being a vendor, more just that it looks cool!
Quoteam curious to know what characteristics these speakers exhibit that makes some people like them a lot or not at all. I really can't say why some don't like them. I think they are very good speakers, and they sound a lot like real music. I think there is better out there, but for the price of the Kestrels, I doubt you could do much better unless you DIY.The Hedlunds are very nice indeed! If I could build some, I would. . . B