Good
to find interest in the quality of the AC network. AC is the building block of the current that reaches the speakers to trigger them to make music or in a sense the power supply is the basic important thing, as the AKSA/LF - steered by the InterConnect signal - only modulates the power supply.
So what do you audiophile AKSA lovers do to help the power supply in protecting PCB music factory from the electronic dirt and nasties and gremlins and insurgents and other little demons from hell who accompany the AC current from the wall to do a mass attack on the factory?

kyrill
Hi Kyrill,
C'mon, now ... AKSA lovers are pre-eminent audiophiles!!

We are interested in
anything which improves the sound of our AKSA electronics ... special caps, special resistors, particular power transformers, wires, cases made from wood rather than steel ... etc!!

So AC mains power is just another issue we are interested in!

IMO, there are 2 issues at play here:
1. How do you optimise the power delivery
within the house, and
2. How do you "clean up" the power
which enters your house.
But firstly, you have to understand that here in God's own country ... the AC power is pure!

In Europe, you need to protect yourself!

So:
* How do you optimise power delivery within the house?I've basically just been through this exercise as part of my recent house renovations. So here is my take on this:
1. You install the biggest amp input line you can from the street. In Oz, normal street supply is 80 amps but higher amps are available. But, generally this must be done at the time you build your house because you can't just install a 100 amp wire in from the street to the fuse on the outside of your house ... if the wire behind the wall to your "Consumer Unit" is only 80amps!!

2. You use a particular brand of CU and MCBs. There is a fellow named Roy Riches in the UK who is particularly passionate about AC supply (he posts on Pink Fish Media Forum). So much so that he spent months listening to his system when he had 6 different CUs installed sequentially in his house ... for 6 weeks each brand of CU (to give them time to run in)!

Without dismissing his research with "HTF did he remember 6 months ago what his system sounded like with the first CU?" (I guess he used notes on how particular tracks sounded?), it does sound reasonable to me that different mfrs use different grades of metal in their MCBs and so will sound different. So I purchased from him the brand of MCB and RCD which he said sounded the best.
NOTE1: Roy buys them wholesale and passes them on to you at cost (he emails you his invoice) ... so he is not exploiting his believers for financial gain!
NOTE2: Even though these are British-made MCBs/RCDs, they are acceptable under Oz electrical standards - well Victorian, anyway!

3. For the ultimate sonics, you then have a separate mains spur from the CU to
each f'ing component. I'm afraid I couldn't organise this but I now have 2 x 30amp circuits feeding my sources (one for analogue - GK-1 and phono stage - and one for digital), as well as a 30amp circuit feeding my 6 x AKSA monoblocks!

The ultimate situation would've involved me in 6x30amp circuits to feed my 6 AKSA monolocks!

4. It is most important that all your circuits are the same length ... because if not, there will be earth potential differences in each circuit ... which will exacerbate the noise floor.
* How do you "clean up" the power which enters the house?The ultimate benefit from the above is still dependent on the AC power being "pure"!

I have zero experience with any power conditioners but, AIUI, this seems to be a matter of experimentation because every hifi component will respond differently to having a power conditioner in front of it.
You can use balanced power transformers ... power inverters (AC --> DC --> AC again) ... and several other devices. All I have been able to ascertain is:
* power amps typically don't like anything between them and the wall socket. "Anything" makes them sound constricted.
* some source components like having an isolating transformer between them and the wall socket.
* some source components respond well to having a balanced mains supply (like the "Felicia" in the "AudioCircle Lab Forum"). However, it seems that the GK-1 was less improved by a Felicia than other components ... due, presumably, to the great regulated power supply which Hugh has built into the GK-1!!??

It remains to be seen whether the "ultimate" AKSA/LF amp has a separate regulated PS for the driver stage (which is able to have a Felicia in front of it!) with an output PS which is driven straight from the wall!

Regards,
Andy