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That is a great deal. Wonder how long it's going? I'll probably end up buying more from there. But on the upside, I've already got a few of mine listened to, and lemme tell you, they're sublime! Two thumbs way up.
Yeah, but you'll have to pay sales tax, wontcha? Still pretty cheap, tho.
But on the upside, I've already got a few of mine listened to, and lemme tell you, they're sublime! Two thumbs way up.
Quote from: Rob BabcockBut on the upside, I've already got a few of mine listened to, and lemme tell you, they're sublime! Two thumbs way up.For those of us still stuck in the dark ages... how's the Redbook layer? Thanks!
Dan Guss, the senior director of catalog development for BMG Classics, serves as the series producer. He makes no apology for lavishing modern technology on recordings from the dawn of the stereo era. “These are some of the best-sounding recordings ever made, period,” he says, “and whenever a significant new technology comes along, it only stands to reason that we should try it out with the best of the best. Gilbert Hetherwick, who is vice president and general manager of BMG Classics, wanted to revitalize the catalog and revitalize the Living Stereo line. Living Stereo was always well known for its superior sound quality, so it was an opportunity to see how much more superior we could make it. It’s not so much that you’re improving the sound; you’re minimizing the level of interference between the original recording and the listener. There’s more information to be had than the LP could allow; more was able to come through when CDs came along, and now there’s still more we can hear. Of course, the opportunity was there to remix, but the original producers and engineers and artists created these recordings with a certain expectation of how they would sound, and it didn’t make sense for us to monkey with that. Everything is new re-mastering from the original source, including the CD layer as well as the two-track and three-track DSD layers.”