CSS FR-125S Review

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kfr01

CSS FR-125S Review
« on: 5 Oct 2005, 05:04 pm »
The CSS FR-125S is a 4.5 inch full range driver created by Creative Sound Solutions and Adire Audio.  The FR-125S uses Adire’s XBL^2 technology and has a large 6mm x-max; very large for a driver under 6 inches.  This driver has already received many positive reviews on the Internet.  I also give it a positive, although qualified, review; as I expected I would.  Adire-designed speakers with XBL^2 are known for their flat frequency response and low distortion levels.  At $70 per speaker, the FR-125S is a relatively inexpensive and simple solution for a beginning DIY speaker builder.  For about $200, after materials (including some nice Exodus long binding posts), one can build a quality finished bookshelf.  

Given the interesting technology at play in these little woofers, I had a variety of questions I sought to answer:  What role can this little speaker play?  Will it work as a speaker for 2-channel audio?  Does it excel at playing certain kinds of music?  I was especially interested in comparing the CSS FR-125S to the Exodus Audio Kit 61.  

The Cabinet

I bought the introductory special from Creative Sound that included a pair of speakers, CNC cut front baffles, and matching magnet-embedded grills.  The front baffle is 6.5 inches by 11 inches.  I used a design for this baffle that can be found here: http://homepage.mac.com/tlinespeakers/FAL/box-plans/FR125S-7L-vented-box.gif

As you can see, the box is a small ported design.  The only modification to the design that I made was to move the port to the front baffle.  (See pictures at the bottom).

The speaker was finished with a semi-gloss black latex and a satin polyurethane clear-coat.  I used the excellent Exodus Audio Long Binding Posts.  (see my review of these posts here: http://www.diycable.com/main/product_reviews_info.php?products_id=543&reviews_id=26)

I have to say, it was really refreshing to build a very simple little speaker.  Other than the finish, it was only a one day project.  Incidentally, I don’t think I’ll ever try a semi-gloss black finish again; it shows flaws so easily.

The Initial Impression

I’ll spare you the long and drawn out story regarding the fact that they didn’t sound very good at first, but quickly burned in and sounded MUCH better.  I only mention it to warn other buyers not to panic; the first few minutes weren't pretty.

The Sound
Rather than break this part of the review up into the different CDs that I’ve listened to on the FR-125S, I decided to break this up by frequency response and other sonic characteristics.  The top end is as good a place to start as any.  I tried to listen to a variety of music on these speakers.  

The Highs – Grade B-/C
What can I say about the highs?  They’re definitely there, which is no small accomplishment for a speaker without a dedicated tweeter.  They’d be more than adequate for casual low level listening or to serve as home theater surrounds in a small setup.  That’s about all I can say about the highs though.  Compared to the Usher tweeter of the Exodus Kit 61, they seemed to have less life, speed, and air.  More importantly, however, the Usher tweeter of the Kit 61 has the ability to make the speakers “disappear” and create a nice wide natural image and stage.  The FR-125S, to my ears, does not have much of this capability.  

The Midrange – Grade A-/B+
This is the region where these speakers excel.  If you like female vocals and violin music, you’re in for a treat with these speakers.  The FR-125S can really sing with these types of music and the speaker had the ability to move me during some of Hillary Hahn’s solo violin passages.  During solo passages and other simple passages where the midrange, especially the upper midrange, was the primary part of the music, the FR-125S -might- be a little better than the Kit 61.  I can only imagine that this might have to do with the paper cone of the FR-125S and the fact that there isn’t a crossover point in this region.  So, what’s the reason for the A-/B+?  When the going got rough, (i.e., during a busy passage with a lot of midbass and bass), the midrange loses some of its special qualities and sounds less natural and full and more dry.  This would especially happen with male vocals on bass-heavy jazz tracks.  Higher female vocals and strings usually stayed largely consistent.  

The Midbass – B-
The midbass on these speakers is much more full and rich than on other low priced and small bookshelves like the Polk Rti4 (http://www.polkaudio.com/homeaudio/products/individual/bookshelf/rti4/).  This aspect moves the midbass out of the grade C range for me, but that’s all I can say.  The Kit 61 midbass, using the Adire Extremis driver, beats the FR-125S in every way imaginable.

The Bass – B-
Here again, these little speakers have absolutely amazing bass, given the size and price.  For the price, simplicity and size you simply can’t find an equal to the FR-125S.  Is it adequate for 2-channel listening?  Maybe.  However, I do still feel like I’m missing some important portion of the frequency range when listening to the FR-125.  For example, there are multiple passages on the Camiel – Sunset disc that have some deep bass lines combined with some good fast and deep drumbeats.  The bass lines were usually audible because of the higher frequency portions of the notes, but much of the richness and full sound was lost.  Some of the deep and fast drumbeats were simply not audible or achieved an undesirable one-note-wonder character.  A subwoofer would be needed for HT and stereo listening in moderate to large sized rooms.  

Is the FR-125S adequate for my 2-channel listening?  No.  I simply know what I’m missing after having listened to my collection on the Kit 61s.  Would it be o.k. for some others?  Probably.  As I mentioned earlier, these speakers really sing playing female vocals and strings on midbass/bass light tracks.  How does the simple FR-125S compare to the Kit 61?  The Exodus Kit 61 beats the FR-125S in every way I’ve mentioned, and then some.  The only place where a person judging the two could have a question is in the midrange.

Summary
For every variable other than the midrange, I feel like praise of a speaker built solely around the FR-125S needs to be qualified with “given the size, price, and simplicity.”

But you knew this already.  People aren’t going to be replacing expensive large bookshelves and towers with speakers built using only the FR-125S.  I see this speaker as an excellent role-player.  The roles it could do a great job playing:
+ As a satellite in an HT or stereo sat/sub system.  This little thing has excellent WAF and would probably do really well crossed over at 80hz.
+ As a small room stereo bookshelf for casual listening, a second system, or for anyone that doesn’t really value sparkling highs and tight accurate lows.  

These speakers do make an excellent DIY project.  For $200 finished you can build a capable little speaker that sounds MUCH more expensive than it is.  I plan to use my pair as computer speakers, supplemented by a spare 10” subwoofer.  I think they’ll really excel in this application.

Final Note
I’ve said some critical things about the FR-125S.  Please note that my criticism is based primarily on a realistic comparison between a bookshelf based on them and the Exodus Kit 61.  Compared to any small commercial bookshelf in the same price ballpark, even speakers twice as expensive, I’d put my money on the FR-125S-based speaker.  For a frame of reference, to my ears they easily beat in every way the well-reviewed Polk RTi4.  (see http://stereophile.com/standloudspeakers/1004polk/)



I took these pictures on top of the Kit 61 so you could see the scale and the primary speakers I compared the FR-125S bookshelves to.

Here's another:


audiobomber

  • Jr. Member
  • Posts: 29
CSS FR-125S Review
« Reply #1 on: 5 Oct 2005, 11:27 pm »
I have the FR125's in a 7L ported cabinet, in my secondary system. They easily beat the Paradigm Titans they replaced, in every possible way except loudness. I also like them better than the much pricier ATC SCM7's I had in this system, again within their limited volume range and HF dispersion.

I thought your review was quite accurate, but I'm not sure that picking the range apart into bass/treble etc really demonstrates the essence of a full-range speaker. These speakers have coherence, musicality and low-level detail WAY beyond their price. When partnerered with high quality equipment, they can generate an extremely convincing portrayal of most kinds of music, including low-level detail like hall sound, breathing, fingers on frets, etc, that are lost or corrupted in most systems.

I love the FR125's, but I couldn't live with them as my main speakers, even with subs (I tried). They just can't go much above 80 dB, and LF filtering them to get better volume compromises their main strengths. But they're a ton-o-fun when used within their limits.

kfr01

CSS FR-125S Review
« Reply #2 on: 5 Oct 2005, 11:48 pm »
Quote from: audiobomber
I thought your review was quite accurate, but I'm not sure that picking the range apart into bass/treble etc really demonstrates the essence of a full-range speaker. These speakers have coherence, musicality and l ...


Audiobomber:  Thanks for the comments.  I tried to be as true to my feelings as possible.  I agree that my format did not really demonstrate the essence of a full-range speaker.  My format, however, conformed to my questions regarding the capabilities of this speaker and the logic I personally use when selecting a speaker.  My logic being:  (1) The speaker must first have a high level of aptitude across all regions of the frequency response region that I am asking it to play.  (2) If a speaker is adept enough at reproducing these regions, then I will make decisions between speakers based on less objective variables (i.e., the coherence and musicality).  

I didn't feel like the FR-125S was adept enough at the bass, midbass, and  treble for me to place a high level of importance on the rather subjective variables of coherence and musicality.  

Having said that, I do appreciate their musicality and cohesiveness.  The cohesiveness and musicality through the midrange, especially for violin music, is moving and impressive.  The FR-125S made me stop what I was doing for over an hour to listen to this Hillary Hahn cd.  The sound is sweet and smooth and very realistic.

Cheers,
Karl

Kevin Haskins

CSS FR-125S Review
« Reply #3 on: 6 Oct 2005, 04:24 pm »
Thanks for that great review.   That is an excellent analysis of the strengths/weakness of the drivers in question.

My comments are this.   The FR-125 in single driver mode has a cohesiveness that is very impressive.   The shortcomings are the same as with all single driver applications.   You give up bandwidth and the performance at the extremes suffers.   In the case of the FR-125 you also have a limit in terms of absolute SPL you are going to be able to play it at.   You have to keep in mind it's a single 4" driver and you are not going to break the laws of physics.  

I really like using the WR-125 (close relative to the FR-125) as a midrange.   As a midrange you solve the problems at the extremes and if you carefully impliment the crossover you can maintain much of the midrange magic.   You also remove the SPL limitations caused by a 4" driver trying to reproduce low frequency information.  

Another application I'm working on right now is an MTM with a pair of WR-125s.   That helps with the SPL limitiations and bandwidth to some degree.

kfr01

CSS FR-125S Review
« Reply #4 on: 6 Oct 2005, 05:29 pm »
Kevin:

Thanks for the comments.  Because of the midrange magic I heard and you describe, I am very excited to hear the WR-125 in the 2641 towers.  I assume you "carefully impliment[ed] the crossover [to] maintain much of the midrange magic." I don't remember off-hand, but was it a relatively steep crossover at around 3.5khz?  If so, that'll place the high frequency fundamental notes for almost all instruments squarely on the midrange duties of the WR-125S.  Yes, I am looking quite forward to hearing the 2641s.  :-)

Karl

kfr01

WR125S / FR125S Sealed
« Reply #5 on: 21 Oct 2005, 07:08 pm »
Just a note for those of you interested in either the WR125S or the FR125S:

Before I completed the crossovers for the 2641, I ran the WR125S full-range from their sealed chambers within the 2641.  

I found this to be a much more pleasant way to listen to the 4.5" drivers.  The bass wasn't quite as deep, but everything was noticably more controlled, especially at higher volume levels or during "busy" pieces of music.  If I were to use either the WR125S or FR125S again, in either a 1 or 2 driver design, I would seal the cabinet.  In fact, they might be nice low-cost and low-profile surround speakers for a stereo guy that likes -some- HT.

mcgsxr

CSS FR-125S Review
« Reply #6 on: 21 Oct 2005, 08:42 pm »
I too have run both the WR and the FR full range, in ported and sealed cabinets.

I currently use the KIT41 as my mains for my family room system (where decor is important, and my loving wife has her way with the system) and will build up a set of the FR125's in a sealed box, and use the KIT41 as the surrounds - they are that good, for simple, WAF acceptable systems!

kingjamez

  • Jr. Member
  • Posts: 15
CSS FR-125S Review
« Reply #7 on: 22 Oct 2005, 02:25 am »
Thanks for the tip kfr. I'm just now finishing the cab's for my 2641's and will shortly start on the surrounds and centers. I think I'll go with sealed FR125S' all the way around for simplicity. I've been battleing over sealed vs. ported for quite some time, your suggestions made up my mind. Thanks!

-Jim

SCREEM

  • Newbie
  • Posts: 1
CSS FR-125S Review
« Reply #8 on: 11 Nov 2005, 03:52 am »
this review is spot on...I built a pair upon mcgsxr's sugestion and I really love 'em. At first I was overwhelmed by how good they sounded, but the honeymoon is over now and hear the same points made about thier performance in this review. These are great speakers, properly placed they can play most types of music with style and exell at string music and female vocalists. As mentioned sometimes the Bass can fail to reproduce the intented note on a perticular piece or be way too layed back. But I think the compromise is worth it for the magic you are rewarded with on select tracks.

Etta Jones, Sade, Elton John, String arrangements I find verry special on these speakers...Bass strong music is dissapointing on these howerver.

here is the pair I built:

http://www.diyaudio.com/forums/showthread.php?s=f8fbfb3d7779328a67ff7d49ad41fe40&threadid=63250