Hi Keith,
Many thanks for letting us know that your balanced experiment worked out so well. This was a great contribution for our community, and gives the AKSA one more string to its bow!!
I've since revisited Nelson Pass's comments on balanced input for the JLH 10W Class A - a highly regarded old design originally devised in 1969 and still popular today. NP redesigns it for diff pair input and balanced line; the very same article Keith referred me to. It's ironic, because I'd also converted a JLH about two years ago for LTP input as an interesting paper exercise.
When you drive a LTP input amp in balanced configuration there is no way you can avoid the very low impedance of the feedback shunt resistor on the inverting side. This resistor runs from the feedback transistor to the shunt cap, which is in normally connected to ground for conventional, unbalanced operation.
On the AKSA, this resistor is 2K2, so this means that the input impedance effectively decomposes to this resistor. The base of the transistor is in fact a virtual earth since it hikes up and down alongside the input transistor's base, so this creates some issues because the input impedance at the inverting input resistor is very low. So considerable drive from the source is required, and steps should be taken at the non-inverting input to render the input impedance identical.
Keith, the issue of offset control revolves around the input diff pair (LTP). Both the input and the feedback transistor must draw their bias currents - on the order of 100 microamps each - from R1 and the feedback network respectively. If we change R1, then this bias current drops rather less voltage and in order to keep the base potentials identical (that's what LTPs do best!) then the speaker output must be held at a lower potential, since this is the voltage source from which the feedback transistor is biased. The Voltage Amplifier will make this adjustment to accommodate identical potentials at the bases of the LTP. Ergo, offset is greatly thrown out of whack.
While a balanced input transformer such as a Sowter, Lundahl or Jensen is expensive, it does avoid this very low input impedance problem. If we wish to restore the input impedance to the nominal unbalanced 47K, we need to put a buffer with an output impedance no more than about 50 ohms on the front of the balanced AKSA. This adds more stages, of course, and contributes some distortion, but if your source has power to spare it's probably not a problem.
Keith appears to have sufficient drive on his source to move mountains, so his balanced AKSA is the simplest configuration possible. Keith, would you say that the sonic qualities are identical to the original?
Cheers,
Hugh