Ellis 3-Way

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EProvenzano

Re: Ellis 3-Way
« Reply #100 on: 12 Jul 2006, 04:56 pm »
Indeed, and I do think Scanspeak woofers generally sound better than the SEAS offerings.  I don't have any measurements to suppor this.  I simply think the Scanspeak woofers sound more authoritative than the SEAS woofers. 

However, the same is true when comparing the SCC300 woofer www.soniccraft.com to any Scanspeak woofer.  The SCC300 woofer has more authority and snap than the Scanspeak woofers.  There are many reasons for this, but I... am not an authority on these matters and therefore am hesitant to convey hearsay given my limited knowledge.

If a 10" woofer matriculates from TC Sounds, it will be compared with the SEAS L26 and W26 woofers in my basement.  I feel obliged to at least try these woofers in a very solid a/b test before making my decision.  One very simple advantage is THESE Seas woofers have is a 2" voice coil.  This 2" voice coil has more surface area and will dissipate heat faster than the typical 1.5" voice coils from Scanspeak.

Dave

Hello Dave,
I hope you're doing well.

I'm sure your priorities are shifted to enjoying the summer and your family, so I feel bad for asking....but can you offer an update on your R&D progress?

Thank you.

Al Garay

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Re: Ellis 3-Way
« Reply #101 on: 15 Jul 2006, 03:31 am »
Congrats on the new baby!

Al Garay

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Re: Ellis 3-Way
« Reply #102 on: 27 Jul 2006, 05:47 am »
That's 11 days and nothing new?

EProvenzano

Re: Ellis 3-Way
« Reply #103 on: 8 Aug 2006, 04:24 am »
Hi Dave,

I thought I'd take an opportunity to bump this thread and ask another question.

Re: Eton  11-581 11” HEXACONE Woofer

While you were in the middle of the R&D for a good woofer did you give this one a look?
It seems like it meets your criteria for sensitivity and VC diameter, so I'm curious to know what your impressions were.

Thanks!

Eton
11-581 11” HEXACONE Woofer
   
Weight:    9.2 lbs.
Low frequency reproduction
Excellent pulse response
Aluminum diecast basket
Flange 280mm
Cut-out 244mm
Depth 104mm

Znom 8 ohm
Re 5.2 ohm
Le@1kHz 0.69 mH
fs 21 Hz
Qms 6.68
Qes 0.31
Qts 0.30
Mms 67.3 g
Cms - mm/N
Sd 366 cm2
BL 12.4 N/A
Vas 153 ltrs
Xmax 5.0 mm peak
VC Ø 50 mm
Sensitivity
1W / 1m 91 dB
Nom. Power DIN 150 W
Net weight - kg


EProvenzano

Re: Ellis 3-Way
« Reply #104 on: 8 Aug 2006, 04:27 am »
Congrats on the new baby!

Who?  Dave had a baby? 
I'm sorry I missed that one! 

Well, whoever is having babies, CONGRADULATIONS!
« Last Edit: 10 Aug 2006, 07:53 pm by EProvenzano »

hubert

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Re: Ellis 3-Way
« Reply #105 on: 23 Oct 2006, 09:49 pm »
Long time... :cry:
something new?

EProvenzano

Re: Ellis 3-Way
« Reply #106 on: 23 Oct 2006, 10:26 pm »
I get the feeling that this thread is being left to fade away.
I'm still hoping that's not true.

Cheers Hubert :thumb:

Curly Woods

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Re: Ellis 3-Way
« Reply #107 on: 24 Oct 2006, 01:17 am »
Wow,

  guess I am late to this party.  I would push for the best possible sound, period.  If it meant a larger bass cabinet, then so be it.  I prefer the sound of the SCC woofers vs any of the ScanSpeak or SEAS products, but the Eton's that I have heard in systems do seem to have a lot of the SCC magic of excellent authority and snap.  4 cubic feet is too large for a woofer cabinet?  I guess I spent too many years seeing people spending mega dollars on uber amplifiers and speakers from my years of selling ultra hi-end audio.  People that are passionate want the best possible.  Size is secondary and only an a small obstacle, if that.  I also agree that anyone that has the money to afford highend audio, will typically have a music room or a prenuptial to override any negative feedback.

 For me, give me the best possible sound that I can afford.  The requirements to achieve the best sound are just opportunities to see just how passionate I am about this hobby :-)  These speakers simply do not sound that large to me, but that is my opinion.  My wife has lived with Apogee Divas in our house before.

  The difference between $1.5K and $3K is a pittance.  Most people that are serious about their systems have wasted this much searching for their right cabling combo!

smithsonga

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Re: Ellis 3-Way
« Reply #108 on: 25 Jan 2007, 03:22 am »
fading away......................... :cry:

 :violin:

hubert

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Re: Ellis 3-Way
« Reply #109 on: 25 Jan 2007, 08:34 pm »
Hi David,

Can you give us your opinion on what T/S parameters values of woofers give more chances to get good bass, whatever loading type you use?

Cheers.

David Ellis

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Re: Ellis 3-Way
« Reply #110 on: 26 Jan 2007, 08:31 pm »
Quote
fading away.........................

Well, not... exactly, but there certainly hasn't been much action on this.  It' would seem fair to provide an updated blog.  Some of these snippets are positive, and some are not.

First, TC Sounds has promised me a prototype woofer 3-5 times over the past 2 years, but hasn't delivered anything.  I have given up calling them.  I believe TC sounds is able to build a very good product, but getting one of them is almost impossible.  I heard via good rumor-mill that TC sounds also lost their largest commercial customer about 1 year ago.  My guess is this happened because TC Sounds was slow to deliver, but this is only a guess.  Subsequent to the loss of the large customer, TC sounds started openly selling their products for survival.  I am sure they are good drivers, but they are intended for small-box/Low-sensitivity applications.  The key T/S parameter in determining the relative sensitivity and design intent of a driver is the VAS.  Specifically, anything larger than @ 160 liters in a 12" is desirable.  There is nothing suitable in the current production drivers.

However, I still have some hope with regard to TC Sounds.  They appear to be making an aluminum cone 15" driver with a really sweet motor assembly.  It will use the cloth surround which should be very light/durable, and support high VAS  :) .  I have been very patient in this regard, and my patience might pay off :) .  There is certainly a possibility that the T/S parameter set might favor a pro-sound application in the extreme.  Fortunately, there are methods to raise the Qes and lower the F3 to an appropriate level. 

Quote
Can you give us your opinion on what T/S parameters values of woofers give more chances to get good bass, whatever loading type you use?

This is a huge issue that really should take 10+ pages of text to complete.  I will present a summary, but there will certainly be many gaps in my comments do to the large breadth of information present. 

My general opinion on the matter is the very best set of compromises (not all things are a compromise) happens when the VAS is VERY high and the woofer can obtain 35-40hz f3 in a sealed enclosure.  This will necessitate a large cabinet.

For a 12" driver, the SCC300 is darn near perfect, but the QMS is perhaps a bit high.  BUT, there was a very reputable commercial manufacturer who conveyed that a high QMS woofer is actually superior.  Candidly, I am not sure about this.  There are compromises in the amplifier realm when considering the impedance peak presented. The steep phase angle created by a high impedance peak MAY cause undue reluctance issues in the amplifer and may be slightly detrimental.  I have not tested "the same woofer" with a different QMS to verify this phenomena using various amplifiers.

There is also the issue of linearity and inductance.  Given the SCC300 at normal listening levels the cone movement is VERY small and the linearity is not an issue.  When driven with a good 100wpc my pair of SCC300 drivers might move @6mm peak to peak.  And these woofers are quite sensitive.  Hence, my believe is that among woofers, the issue of linearity is very small.  The issue of inductance might more significant, but only as the frequency rises considerably.  A staunch German and industry expert once coneyed that having shorting rings in a motor is only important at very high frequencies that approximate when inductance would cause the motor/driver frequency response to roll off.

Another snippet... A very knowledgeable "little bird" once told me the TC2 (2" voice coil) driver provided less distortion and better sound than the TC2+ (3" voice coil).  This was verified by, hm, another "industry guy".  The reason wasn't conveyed, but the spider length seemed to be important.  This seems counter intuitive, but I am in no postion to disagree.

If I could have my ideal woofer, I suppose it would have a VAS of about 250 liters and a combination of QTS and Fs necessary to obtain a sealed F3 of 40hz.  The dcr would not drop below 6 ohms, and the X-Max would be @ 15mm.  The Qms would not rise higher than 4.  The net result would be slightly more than 90db sensitivity in about 4 cubic feet.

The cabinet grows commensurate with sensitivity  for every 3db of sensitivity (all other factors being equal), the cabinet size necessary will double.  This means that my target bass system would be @ 2 cubic feet if the sensitivity were 87db@2.83 volts.  This also means that my target bass system would be 8 cubic feet if the sensitivity were 93db@2.83 volts.

I will digress somewhat herein and rant.  There is no magic way to sneak around the rules of physics with regard to sensitivity, dynamics, thermal compression, bass depth and cabinet size.  The following are true.

1.  Obtaining good bass dynamics requires high sensitivity.  Less heat dissipation in the voice coil will result in a more consistent dcr for the voice coil and more snap in the woofer.  If the voice coil heat rises after the first few pulses, the subsequent pulses will be encountering a high resistance voice coil.  Hence, the initial wave encounters a cool voice coil and subsequent waves encounter a hot voice coil.  The distortion is bad bad bad.  It happens with ALL drivers.  However, for every 3db increase in sensitivity, the heat generation is halved   aa .

2.  4 ohm sensitivity loudspeaker drivers generate twice the heat of 8 ohm drivers.  This is because while the voltage remains constant the amperage (and electrical friction) is doubled.  Hence a 87db 8 ohm speaker will produce the same amount of voice coil heat as a 84db 4 ohm speaker. 

3.  Given the normal state of hifi, it seems that most speakers are @ 84db at 4 ohms.  The result is a nice small cabinet and/or a very low F3.  However there are compromises.  Relatively speaking, a 90db at 8 ohm speaker will be 8 times better with regard to heat dissipation/thermal compression.  This is because the 84db at 4 ohm speaker obtains this rating using an industry standard 2.83 VOLTS (not watts).  The 84db at 4 ohm speaker will use 8 times MORE current than a 90db at 8 ohm speaker.  The 84db at 4 ohm speaker will also generate 8 time more HEAT  :flame:

4.  A small cabinet sealed woofer having a bass boost augmentation circuit is NOT a solution to the problem of thermal compression.  The circuit is simply taking the low sensitivity response of a woofer at low frequency and applying more "heat" to the system.

It should be obvious that I DO think sensitivity matters - significantly.  However, most folks aren't willing to spend the necessary money commercially for the big cabinet necessary to obtain the high sensitivity.  Shipping methods, shipping damage, and cabinet cost are certainly contributing factors. 

There are other issues too.  Certainly muliple woofers will double the voice coil area.  Underhung woofers offer something mysteriously good and favorable.  The woofers from Adire seem to market well, and their XBL2 motor appears special, but I have heard this is a reincarnation of an old idea.  Foam surrounds often provide better dampening and more favorable compliance.  There are differences in spider quality.  Voice Coil lead wires can impact the spider/cone during operation.  Some drivers have steel terminals.

I would also like to convey some sentiments regarding my youth impressions and their validity today.  In my youth, any decent/cool speaker was a 3 way.  The old Cerwin Vega's and big JBL speakers sounded really great.  The midrange was tolerable at best, but the bass was really cool. The music was mostly "nose", but this noise was garbled through the speakers and good bass was the goal.  Today I continue to have a desire for that thump, thump, and will occasionally listen to Emotions/EWF "Boogie Wonderland" and similar music on my 3-way speakers.  However, the other 99% of my music is conveyed much better on the 1801 (a 2-way).  And, while there is some sound quality improvement when implementing a good woofer under the 1801 and unloading the midrange, the impact is NOT monumental.  I think adding a woofer and unloading the 1801 midrange had about the same impact as replacing the BB2134 opamp with the BB2111 opamp in my CD player.   Both certainly were improvements, but on par.

Quote
While you were in the middle of the R&D for a good woofer did you give this one a look?
It seems like it meets your criteria for sensitivity and VC diameter, so I'm curious to know what your impressions were.

Thanks!

Eton
11-581 11” HEXACONE Woofer

Yes - definitely.  I heard this woofer in a big $$ Kharma speaker a few years ago.  The bass was good, but inferior to the SCC300.   There are many variables herein.  The cones are equally stiff.  The Eton was ported.  The SCC300 was sealed.  The T/S parameter sets are slightly different.  The SCC300 has considerably more X-Max.  The source gear and rooms were completely different too (different but roughly equal).  Nonetheless, I feel very safe in my assertion that the SCC300 is a better sounding woofer - by a good margin.

//

Soooo, back on track with the 3-way blog... I still wish to eventually do attempt some flavor of fully underhung speaker.  This will have to wait until TC Sounds finishes their pro-sound 15" woofer with the underhung radial motor.  Hopefully the T/S set is amicable for a larger sealed speaker.

For now, I just purchased a pair of C79 midrange drivers.  They arrived @ 1 week ago.  The intent is OW1/C79/SCC300.

I still have to finish 1 more pair of customer speakers before I can begin this project.  I am getting close.

Dave

JoshK

Re: Ellis 3-Way
« Reply #111 on: 27 Jan 2007, 01:24 am »
Great write up Dave!!   :thumb:  I happen to agree with most of what you said.  I think there is something really missing just looking at lower sensitivity drivers @ more watts at a certain level compared to a higher sensitivity driver at the same level and lower watts.  I agree it is a low of dynamics due to the thermal compression.  This is why I bought a quad of Lamda 15TDX drivers when I had the chance. 

I can't say I have as good of a handle on the Q's as you though.  This is a lesson for me.

brj

Re: Ellis 3-Way
« Reply #112 on: 27 Jan 2007, 01:44 am »
I agree... great post and thanks for sharing!

Simple question: Why don't vendors put heatsinks on voice coils?  The geometry would probably be a bit challenging, but it seems like an obvious thing to try... obvious enough that I suspect I'm missing something...

JoshK

Re: Ellis 3-Way
« Reply #113 on: 27 Jan 2007, 02:24 am »
That is what a lot of phase plugs are suppose to be for, heatsinks for the voicecoil.  whether it works or not, I have no clue.  SEAS claims this for their Excel drivers and Focus Audio for their custom Eton drivers.

Maybe that is why underhung has a mysterious advantage?

brj

Re: Ellis 3-Way
« Reply #114 on: 27 Jan 2007, 02:54 am »
I've heard that before, but always discounted it just because heat rejection requires significant surface area, and I never thought that the phase plugs added that much surface area.  Anything helps, however, so if you want a phase plug anyway, you might as well grab any other low hanging fruit while your at it...

However, your comment did force me to rethink the question... and I have to imagine that having traditional fins (large area) could result in resonance issues.  They could very will "ring" at all sorts of frequencies.  You would need a thermally conductive material that was also very well damped mechanically despite the lightweight mass of the fin arrangement.  I'm guessing that materials of that description would be hard to find at reasonable prices.

brj

Re: Ellis 3-Way
« Reply #115 on: 27 Jan 2007, 02:56 am »
You realize, of course, that since I'm now thinking about this topic, I'm going to end up checking to see if my copper alloy SEAS phase plugs get warm after cranking up the music this evening! :lol:

Dave, my apologies for side-tracking your thread!

JoshK

Re: Ellis 3-Way
« Reply #116 on: 27 Jan 2007, 02:57 am »
yeah I can't say I believed that claim either...seemed a little bit of a stretch for any significant amount of heat dissipation. 

David Ellis

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Re: Ellis 3-Way
« Reply #117 on: 28 Jan 2007, 04:54 am »
Quote
This is why I bought a quad of Lamda 15TDX drivers when I had the chance. 

I was very tempted in this regard too.  This is a tough niche though.  I think that Lambda's vision was very correct, but the market for this is very small due to the cabinet size required. 

I thought the Lambda motor was very good, and their T/S were also very desirable.  However, it seemed like many of their drivers had soft/flexible cones.  I am obviously a fan of stiff cones and steep crossovers.

Quote
Simple question: Why don't vendors put heatsinks on voice coils?

The voice coil is attached to the cone and moves with the cone.  This assembly must be very light.  A heatsink would add too much weight.

Quote
I've heard that before, but always discounted it just because heat rejection requires significant surface area, and I never thought that the phase plugs added that much surface area.

I am in thnis camp too. 

The phase plug VERY sucessfully eliminates the resonance commonly between the dust cap and pole piece.  I belive this is audible.

However, I believe that dust caps provide an "air pump" that moves more air past the voice coil and DO provide better bass.  This is revealed when listening to the bass of the W18, Scanspeak 8545 and Accuton C95.  Certainly there are many differences in these drivers, but those with the dust caps sound much better that the one with the phase plug.  Also, more importantly, I discussed the matter with Phil Bamberg at BESL.  Phil conveyed there was a solid research article in the AES conveying this truth.  I firmly believe that phase plugs and dust caps present a driver design compromise.  Dust caps are better for bass, and Phase Plugs are better for midrange.

I also remember reading a marketing pamphlet touting the advanages of the "Aluminum Baffle Heat Sink" on an Infinity Monitor - no kidding. :roll:

Quote
You realize, of course, that since I'm now thinking about this topic, I'm going to end up checking to see if my copper alloy SEAS phase plugs get warm after cranking up the music this evening!

Well, did it get hot?

Dave





brj

Re: Ellis 3-Way
« Reply #118 on: 30 Jan 2007, 07:58 pm »
Quote from: David Ellis
Quote
Simple question: Why don't vendors put heatsinks on voice coils?

The voice coil is attached to the cone and moves with the cone.  This assembly must be very light.  A heatsink would add too much weight.

I guess I assumed that you could make one light enough (at least compared to the mass of a woofer voicecoil), but that it would then be prone to detrimental sympathetic vibrations.


Quote from: David Ellis
Quote
You realize, of course, that since I'm now thinking about this topic, I'm going to end up checking to see if my copper alloy SEAS phase plugs get warm after cranking up the music this evening!

Well, did it get hot?

:lol:

Not that I obviously noticed by a simply touching the phase plug before and after playing the speaker for a while.  Sorry, I don't have a thermocouple handy to provide measured results! :)

David Ellis

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Re: Ellis 3-Way
« Reply #119 on: 11 Feb 2007, 02:17 am »
Part of this project is fading away.  Another part might be resurrected.

The SCC300 woofer is gone :cry:.  I thought about 30 were still available, but was mistaken.  They are gone.

I learned the cultural expectation is daily calling American woofer manufacturers to obtain a product.  This is a strange phenomena, but I have heard this from a few industry folks.  I have the TC sounds number posted about 5" from my telephone and have started using it daily.   Hopefully something positive will happen.

Dave