I am going to take the liberty of putting up a post I did quite sometime ago on this forum because it directly applies to what is being talked about in this thread.
GROUNDING PRACTICES IN CONSUMER AUDIO
As many of us have observed over the years grounding practices in consumer audio have for many of us been a frustrating experience. Compatibility/Synergy are consistently major issues, as well as safety, reducing ground loops, noise and interference. Designers are equally frustr ...
While I completely agree with the above, I must point out a practical problem. Grounding via the three prong plug, be it in North America, Europe, Australia, Japan or elsewhere, can be a risky business simply because the nominal electrical standards for the ground are hardly ever observed in real life.
Nominally, the ground should have a potential of 0.8V or less and an impedance of 100 ohms or less. However, in real life, with modern slap 'em together construction practices which extend to electrical wiring, I have yet to see this in real life on buildings made after say 1960.
A friend from Paris, France reported his ground potential to be - believe it or not - all of 70V! True, he lives in a 19th century building, where electrical wiring was definitely an afterthought, but my own experience shows the ground potential to be hardly ever better than 12-15V best case.
With a potential like that, grounding itself becomes a dicey proposition. So, if you are able to, I would advise you first make sure your home grounding is what it should be. Ultimately, use a 3 by 3 foot copper plate sunk some 6 feet into the ground with a THICK wire connection; that should give you something awfully close to an ideal grounding point. That alone will make a @#$%^&* of a difference, believe me.
Then follow Dan's rules for even better performance. The rest of us, living in condos, can only envy you.
Cheers,
DVV