Stranded Wire: upping the sonic ante.

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Pez

Stranded Wire: upping the sonic ante.
« on: 17 Mar 2025, 10:24 pm »

Oxide Removal for Stranded Wire
One of the hallmarks of Hapa Audio cables is their pristine performance across the entire frequency spectrum. While many cable manufacturers use wire straight off the spool—either bare or pre-coated with a dielectric layer—this approach has a critical flaw. Even if the wire is labeled as “99.999999% pure copper” or “99.9999% pure silver,” oxidation can quickly render those impressive purity numbers meaningless. It’s an unintentional false advertisement, promising more than it actually delivers.

Like all audio components, bare wire often sits in storage for months or even years before being used. During this time, it’s exposed to air, handled during shipping, and subjected to conditions that accelerate oxidation and contamination. Left unaddressed, this degradation compromises conductivity, dulling nuances, restricting dynamics, and rolling off the frequency extremes.

The ugly truth.
That burnt orange color in the above photo is oxidation on a stranded wire, fresh cut out of it dielectric. This oxide layer is present on all copper wire unless the cable maker removes this layer, the resulting sound quality will always be suboptimal.

Why Stranded Wire?
Through years of R&D, I’ve uncovered several key factors that dramatically impact sound quality. The first is obvious: a pristine surface on high-purity wire is essential. But just as important is another factor that might surprise you: surface area. The larger the effective surface area, the better nuance, detail, and all other performance-related improvements become. This is because of skin effect. Skin effect is the tendency of signal current to concentrate near the surface of a conductor rather than being evenly distributed throughout its cross-section. This effect is most pronounced at higher frequencies, where signal transmission is concentrated at the surface of the wire, but it influences performance across the entire audio spectrum. So, in order to maximize the benefit of skin effect, it is important to increase the total surface area of the signal conductors while decreasing the diameter of individual strands.

Let's crunch some numbers to get a better idea of what we're discussing.

The equation for the surface area of a cylindrical object (like a wire) is:
A = 2πrL
Applying this to wire:
* A solid-core 20 AWG wire, 1 meter in length, has a surface area of 25.5 cm².
* If we increase the gauge to 18 AWG, the surface area only increases to 32.2 cm²—a mere 25% improvement, and at the cost of increased stiffness. Subjectively, it offers almost no sonic benefit.

Now, let’s compare this to stranded wire. By dramatically reducing the diameter of individual strands and using multiple strands, we achieve a staggering increase in surface area.

For example, consider a 23 AWG stranded wire with individual strands at 0.1mm diameter. The total surface area jumps to an incredible 103.7 cm²a fourfold increase over the solid-core 20 AWG wire, yet with a smaller 23 AWG design.

But there’s a catch. While stranded wire offers a major advantage in surface area, it also presents a serious challenge—oxidation is even more problematic in stranded designs than in solid-core wire. Cleaning it properly is far more difficult, especially with hair thin stranded wire and traditional polishing methods simply won’t work.

The Oxidation Problem in Stranded Wire
To unlock the full potential of high-purity wire, meticulous in-house cleaning is essential. There are two major reasons for this:
1. Oxidation reduces conductivity, which robs the signal of clarity, detail, and dynamic range.
2. Oxidation worsens over time, leading to further degradation and long-term performance loss.
In my previous designs, I tackled oxidation by sanding, polishing, and cleaning the wire using proprietary techniques. This approach worked exceptionally well for solid-core wire, producing ultra-clean, ultra-pure conductors that significantly improved sound quality and tonal balance. However, these same methods were impossible to apply to highly stranded wire.
While solid-core wire can be polished directly, attempting to do the same with stranded wire—composed of many delicate individual strands—would inevitably destroy it.

A 10-Month R&D Challenge
When Brian of Charney Audio approached me with a challenge—creating a stranded wire high-efficiency speaker cable with an Aerogel dielectric—it seemed straightforward at first. But once we examined the details, it became clear that we were setting out on an incredibly ambitious endeavor.
This wasn’t just any stranded wire. Each strand was a mere 100 microns thick (0.1mm)—comparable to a human hair. Here’s a microscopic view of a single strand next to a human hair for scale:


Two months into relentless trial and error, frustration set in. Every attempt to design a new method to clean the wire properly resulted in failure. At one point, I found myself staring at yet another ruined batch, my makeshift polishing equipment tangled in a mess of broken strands. It was a moment of defeat.
Then, a rare insight struck me: walk away. Stop forcing a solution that isn’t working. Sometimes, discovering what not to do is just as valuable as finding the right path forward.

The Breakthrough
Stepping away was the best decision I could have made. A few weeks later, inspiration struck like a lightning bolt:
Instead of manually polishing the wire, I could design an immersion cleaning process—one that would remove oxidation without physical contact.
Some of you may have already thought of this. If so, hats off to you!

Determined to make this idea work, I dove into studying the chemistry and engineering required to make this technique possible. The result? A high-tech cleaning process developed entirely in-house designed specifically for removing the oxide layer without damaging or reducing the diameter of the wire. This process represents the pinnacle of almost an entire year of research and development. The proof is in the results. Here are unaltered before-and-after microscope images of stranded wire cleaned using my new proprietary method:

Before
After

Before
After

Note the complete lack of burnt orange coloration in the 'after' images. This is evidence of the complete removal of the oxide layer inherent on all wire.

The months of R&D were worth it. This breakthrough allowed me to finally harness the full potential of stranded wire when paired with our patented Aerogel dielectric. But there were still hurdles to overcome.

In my next article, I will discuss how I integrated Aerogel dielectric with stranded wire design...

golfugh

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Re: Stranded Wire: upping the sonic ante.
« Reply #1 on: 17 Mar 2025, 10:42 pm »
Jason

Great article discussing the difficulties with stranded wire.  Seriously looking forward to the next one on aerogel and stranded wire.

Love the math
Mark

Early B.

Re: Stranded Wire: upping the sonic ante.
« Reply #2 on: 17 Mar 2025, 10:47 pm »
Awesome!! Since oxidation worsens over time, I'm also curious to hear how you keep the strands free of oxidation once the cable is built, especially since the wires are suspended in aerogel which is 99% air.

nlitworld

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Re: Stranded Wire: upping the sonic ante.
« Reply #3 on: 17 Mar 2025, 11:26 pm »
Jason, it's always super interesting to read about your design process and R&D "adventures". Definitely looking forward to seeing what you're up to next.  :thumb:

Pez

Re: Stranded Wire: upping the sonic ante.
« Reply #4 on: 18 Mar 2025, 06:45 pm »
Awesome!! Since oxidation worsens over time, I'm also curious to hear how you keep the strands free of oxidation once the cable is built, especially since the wires are suspended in aerogel which is 99% air.

Early B,
This is a great question that I haven’t touched on very much in my discussions of Aerogel. I will answer this briefly. First and foremost, the removal of the oxide layer is the single most important factor in the virtual elimination of further oxidation. My cleaning process is done in such a way that it leaves no residue behind. Without saying too much, the final steps of my cleaning process involve the use of very expensive deionized water that completely removes all traces of any of the chemicals I use to achieve the cleaning.

By ensuring a pristine surface, the ability for oxides to form in the first place is all but eliminated.

Second, once the wire is cleaned, I have a proprietary storage solution that I developed in the process of my research and development. Once the wire is cleaned I am storing all of it inside a vacuum chamber. You heard that right, I am literally using a vacuum chamber to store my raw materials in. :o

Third, While Aerogel is 99.8% air, it is entirely inert because even thought it’s mostly air, it’s still a solid! NASA uses aerogel in the collection plates of probes they have launched into space that collect debris from the coma of comets. This is because they can store the particles they collect without any chance of it degrading on the way back to earth. They then retrieve these samples that are pristine because of the aerogel! That same concept applies here. Aerogel acts as a preservative. much like the Silica dioxide bags used in food storage, Aerogel stops entropy dead in its tracks. That is because the 0.2% that isn’t air, is Silica Dioxide. The same exact stuff in preservative Silica packets. This means that the cables I make with Aerogel dielectric do not reduce in sound quality the way other cables do.

I’m not saying ‘they never die’ I’m saying the rate of entropy within the cable is reduced to a statistical minimum vs every other solution being used currently by other manufacturers. And no, having a dielectric like teflon or vinyl does NOT stop oxidation. It does quite the opposite. It encourages it. Every cable I have ever taken apart after years of use is covered in oxidation. Way more than when the cable was first made. You all know what I’m talking about. A cable you’ve owned for years and years, suddenly sounds ‘darker’ rolled off, lacking in high frequency extension. The cable just sounds tired.

Aerogel dielectric does not have this issue because it is hydrophobic and inert. Aerogel cables stay vibrant and lively. Their sonic characteristics don’t drastically change over time like other cables do.

I am almost done with the second article. It’s more wordy and less pictures, but It really is the most important part of this particular discussion. I look forward to posting it later today. :thumb:

Thanks to everyone who is interested in this topic. I have a lot to do prior to Dallas so stay tuned. I want to make sure you all get first look prior to the show on a few pending releases!