Review of 2024 and looking ahead to 2025 - shows, products, and thoughts

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Pez

Happy late New Years everyone! I know that from your perspective it might appear that I had fallen off the map, but rest assured, I have been busy working as usual. I realized that I had let myself fall out of communication and had allowed the busyness of life to take over. Then I realized I had sooooo much to say that I was spending too much time refining and rewriting stuff only to erase it and start again, so this time I am forcing myself to write. Whatever I say will be the first go and unedited so I can finally get it out there!  :wink:

In the companies past, I often find myself lurching between intense product development phases, then into releases and of course tours. 2024 was the first time that I could feel that general formula dissolving. The reasons for this were numerous. For one, 2024 was incredibly disjointed and difficult for my family. I'm not going to get into details, but suffice it to say we were glad to see the year end. When it comes to Hapa Audio, the year was transformative in ways that will soon come to light. 2024 was the first time that I spent the vast majority of my energy in research and development.

In February of last year I was asked to show at Tampa Audio fest with Charney Audio, a company out of New Jersey run by Brian Charney. I had absolutely no experience with Brian or his company when he approached me. Brian heard about Hapa Audio through a mutual client and he wanted to hear my products. I sent him a smattering of my wares and we exchanged numerous emails and convos. A couple of things stand out in my mind with my first encounters with Brian. For one, he was incredibly passionate about what he was doing and judging by his website he was doing that no normal person would try to pursue. I was immediately intrigued by his designs. One only needs to see a photo of the Lumaca speakers photo and instantly want to know more.


I have never ever been a fan of single driver speakers. In fact, I sort of saw the single driver scene as the Flat Earthers of audio. :oops: I won't name names, but I every time I heard single driver speakers at RMAF I walked away shaking my head and failing to see the potential as anything more than eclectic weirdo tech. But something about Brian in particular made me say 'fuck it, let's see what this guys about.' Sight unseen I committed to showing with Brian at the Tampa show. I packed my bags, bought new luggage to support and protect the crazy gear I was lugging, bought my tickets and off I went to Tampa.

TBC......
« Last Edit: 17 Feb 2025, 07:05 pm by Pez »

Pez

Tampa was interesting. For starters we had to compromise a bit due to the fact Brian couldn't make the show. His friend Kobe ended up bringing the Charney Companion speakers instead of the Lumacas. I was disappointed that we didn't have the Lumacas, but when I heard the Companions my disappointment faded quickly.

Setup was rocky (mostly my fault), but we managed to get decent sound out of the system. We shared the room with ToolShed Audio. Matt with ToolShed is an interesting dude with killer gear. All handmade in his workshop (hence the name) and he uses electrochemical machining done by hand for all the lettering on the metal of his products. Insane detail with top tier build quality and phenomenal sound quality. Check out his website: https://www.toolshedamps.com


ToolShed Tanoshi IDHT preamp and Transcendence DHT Mercury Amp

The true stars of the show IMO were the Charney Companion speakers. Gorgeous build quality and amazing soundstaging and imaging.


Companion Speakers with Torsion Cu Speaker Cables.

While I'd guess that most people didn't quite get what they were hearing, I have to say, it was absolutely game changing for me. While some people might have focused on things such as the balance etc , the thing I think most people missed was how IDEAL the soudnstaging and imaging were. Dead center, very realistic, time alignment was superb to the point where it was holographic. Bluntly, I have never heard anything like it period. I was so impressed that the night of setup I called Brian and raved about what I was hearing. He responded 'You should hear the Lumacas'....

I went along for the rest of the show very impressed with these speakers and convinced that Brian was on to something HUGE. This isn't just some minor improvement over the current state of the art within the industry, for me, this was a sea change in what was possible. The Companions do things I haven't heard any other speaker do. before. I was absolutely captivated. The folks who 'got it' really got it.


Matt Formanek with ToolShed, Kobe, and yours truly.

I left the show quite satisfied with the result. I had a great time for my first show, but what Brian told me over the phone kept echoing in my head...

'You should hear the Lumacas...'

rodge827

Nice write up Jason I couldn’t agree with you more about Charney Audio and your wires.
Good stuff keep it coming in 2025!

Pez

Heading East to Jersey: A Visit to Charney Audio

I knew I had to make the trip. Meeting Brian and seeing his speakers in person was an opportunity I couldn’t pass up. So, back in April, I booked my flight and headed to Jersey.


When I arrived at Brian’s house, he welcomed me with a tour of his workshop—and what a workshop it was. The sheer level of ingenuity in that space was staggering. Brian had built a CNC machine from scratch, welding the frame himself and assembling the computer to run it. I had no idea how intricate his speaker-making process was until I saw it firsthand. It was mind-blowing.


The way Lumaca speakers are crafted is an art form in itself. Each section is cut from wood in concentric rings, stacked to form the horn, then carefully shaved down, sanded, and painted to perfection. The precision, the craftsmanship, the engineering—it was unlike anything I had ever seen.


As someone who has built a business from the ground up—literally from my basement—I felt a deep sense of camaraderie with Brian. I know what it takes to pour everything into a vision. But seeing what he had accomplished with Charney Audio was on another level. The amount of dedication, innovation, and sheer effort he’s put into his work is remarkable.


Brian isn’t just building another speaker cabinet; he’s making a statement. A statement about sound, physics, and engineering. He’s not following trends—he’s redefining them.


The workshop itself was impressive, but seeing the finished product was something else entirely. The level of artistry and precision in his speakers was humbling. It’s one thing to understand great craftsmanship in theory—it’s another to stand in front of it, hear it, and truly appreciate the passion that went into its creation…

More to come.

Charles Xavier

Are you in Jersey now or was this back in April?

Pez

Are you in Jersey now or was this back in April?

This was back in April. I’m just now getting around to posting about it. I haven’t done a great job of chatting about what I’m doing. Needless to say, last year was intense.  :green:

Pez

Companion

After touring Brian’s workshop, we headed upstairs to start listening. We began our session with his Companion speakers. Hearing them at the show, I was already super impressed—especially given how well they performed in a relatively small hotel room. As is often the case at these events, the power conditions weren’t ideal, so the speakers weren’t showcased to their full potential.

Having the opportunity to hear them in a carefully optimized setup, with an excellent front end that Brian assembled himself, was a treat. Every strength I noticed at the show was present, but now even more pronounced. The weaknesses? Completely gone. At the show, the setup was a touch bright, but here, it was smooth and detailed. These speakers throw a massive soundstage! And for a single-driver speaker, the bass was absolutely astounding. I genuinely believe these are the best speakers under $20K—perhaps even beyond that.

Lumaca

Finally, the moment I’ve been waiting to write about—the Lumaca.

One glance at this design makes it clear: this is a statement product. Towering at seven feet tall, the Lumaca is an imposing presence. Yet, despite its gargantuan size, Brian assured me that each cabinet weighs only 45 pounds. You read that right—seven feet tall and just 45 pounds. One last thing… absolutely no crossover components at all. None.

This particular pair was outfitted with AER BD3 drivers, and they are the most striking, futuristic-looking speakers I have ever seen.

 There’s simply no other way to describe them—they look like bleeding-edge alien technology, not something crafted by human hands, let alone by a single person in his basement workshop. They are purpose-built, stunning examples of esoteric engineering.

Sitting in the sweet spot with my new best buddy, Lilly, I was eager. I can’t recall another moment in my life where the only word that could describe what happened next was intense. I was instantly struck by the clarity and warmth of the sound.

The Lumaca’s design is similar to that of a horn instrument. The entire structure is engineered to reinforce the back wave of the driver while eliminating cabinet vibrations. Despite the cabinet being a mere half-inch thick, no matter where I placed my hand, I couldn’t feel any vibration—even when the speakers were playing at full tilt.

Because they are a true point-source design, the sense of seamless integration from top to bottom is better than any system I have ever heard. Sitting in the sweet spot felt like looking through a vast panoramic window—everything was laid out before me with an expansive soundstage and pinpoint imaging. The presentation was stunningly realistic, yet warm and inviting. There seemed to be no limit to the amount of detail these speakers could convey. Whether reproducing human voices or large orchestral arrangements, the Lumaca handled everything we threw at it effortlessly.

One of the most surprising aspects of the Lumaca is its bass response. The bass is the most natural and realistic I have ever heard. It’s taut, convincing, and sounds like a naturally occurring low-frequency event rather than an artificial “whomp” at the fundamental frequency, as so many modern systems produce. While multi-driver speakers often render bass with an exaggerated, enhanced quality, the Lumaca’s bass felt completely natural—free from any artificial adornment. I still can’t comprehend how an 8-inch driver can produce bass this articulate and powerful.

After the initial dazzling display of capability, we put on Count Basie and dimmed the lights. I closed my eyes, and for the first time in a long time, I listened with my heart rather than my brain.


People often say that a system makes them feel like they’re right there at the performance. I’ve heard systems that do that—but this was different. This system isn’t just immersive. It’s a damn Time Machine. It transported me straight to Harlem’s Apollo Theater, circa 1938. I could feel the energy in the room, the presence of the musicians, the life in the performance. It was nothing short of astonishing.


These speakers are the absolute best audio product I have ever heard in my life.

Brian has created the most incredible loudspeakers available today. I genuinely believe that he will revolutionize the audio industry with this design. I emphatically recommend anyone and everyone who considers themselves an audiophile to put the Lumaca speakers on your short list.

For me, what I heard next on these speakers was the impetus for 10 months of research and development that is nothing short of revolutionary to my product line.  :o

More to come…

rodge827

Pez I couldn’t agree with you more! The Lumaca is in a class all by itself! Every time I get to Brian’s and listen to them I leave astounded at what I’ve just experienced! Full engagement of all senses and truly getting the full picture of what the artist is doing. No hologram needed just full engaging 3D sound!

Pez

I couldn't agree more, but according to Brian, with the AudioNote front end and my new designs that have yet to be announced, his system is WAY better than it was back in April. He seems to be pretty excited about how things are coming together.  :)

Pez

Torsion
After listening to Lumaca’s setup, we switched back to the Companions. Brian had something he wanted to show me—his speaker cables, Jena Labs Ultra Wire. I had brought along Torsion Cu for comparison. In the Companion system, Torsion delivered a warm, well-balanced, and enjoyable listening experience. The Jena Labs wire, by contrast, had a harder edge to its sound, but its overall balance was excellent.
Then Brian played a track that took me by surprise. It featured a pronounced maraca. Through Torsion, the maraca sounded calm and recessed. With the Jena cables, however, it was vibrant, bold, and forward. The difference was unmistakable. Torsion, designed for speakers in the 5-500+ watt range, was a poor match for the ultra-efficient 107dB 1w/m Companion speakers. In fact, any speaker above 100-103dB efficiency would be less than ideal with Torsion. Hearing this firsthand was an eye-opener. Brian had successfully demonstrated that I needed to step up my game for high-efficiency (H.E.) speakers.


The Challenge
Brian had ideas he wanted me to explore. He was convinced that the only way to achieve the level of detail and texture he sought was with stranded wire—specifically, the finest stranded wire available. The Jena wire he used had an incredibly fine strand diameter of 0.1mm—the width of a human hair. Additionally, he wanted me to integrate my proprietary Aerogel dielectric into the design.
I remember sitting in his kitchen, petting Lily, and thinking, How am I going to tell this guy that what he just asked for is impossible? I had spent the last five years developing aerogel cabling with solid-core wire, refining the polishing process to an astonishing 120-nanometer scale. That ultra-fine polishing was the key to Hapa Audio’s signature level of detail retrieval and sound quality. I had written numerous articles on the subject (read here). The idea of applying the same principles to stranded wire was daunting—it felt like trying to paint the Mona Lisa with a toothpick. But I couldn’t bring myself to say no.

Leaving New Jersey, my mind was consumed by the challenge. Even in the TSA line at the airport, I was so lost in thought that I barely noticed when an officer told me, “Sir, you’re not just in the wrong line—you’re in the wrong terminal. You need to catch a bus and go through standard screening for Terminal A.” Oops. Clearly, this was going to occupy my mind for a while.

The Struggle Begins
Back home, my obsession with this challenge became obvious. I had to explain to my wife, “I’m not daydreaming—I’m deep in thought about a design I need to create. Please don’t distract me when I’m like this.”
Determined, I began sourcing the necessary materials and tools. I purchased a top-of-the-line cable stripping machine and reached out to the team at Jena Labs. I was officially off to the races. Almost immediately, I hit my first major hurdle—removing the dielectric layer from the Jena Ultra Wire.
This was no ordinary task. The dielectric was thick and tough, yet the wire itself was so delicate that even slight mishandling could break individual strands. Successfully removing this layer was crucial for two reasons: first, I needed to eliminate the oxide layer present on all factory-made wire—one of the key steps in achieving my level of sound quality. Second, I needed to apply my proprietary aerogel dielectric.
Despite my best efforts, I couldn’t find a way to remove the dielectric without damaging the wire, even with my new expensive fancy cable stripping device. Frustration set in. Finally, I called Brian.




Before/After photos of my polishing process to both remove the oxide layer off of solid core wire and bring a 120 nanometer polish to the surface. Cleaning the oxide layer off of stranded wire is impossible using this method

“Hey, buddy, I’m at a loss here,” I admitted. “If I can’t strip this dielectric, I can’t even start my R&D.”
Brian listened patiently. After a pause, he said, “Give me a couple of days to think about it. I’ll get back to you.”
And so, the challenge remained—an unsolved puzzle demanding a solution.

Brian for the win!

Brian got back to me very quickly, he had come up with a solution that seemed to be ideal. He shipped off his new jig and a few days later, I was able to test it out. What can I say, He nailed the design. His jig allowed me to remove the dielectric layer without any damage to the delicate internal wire.

I set off to figuring out a solution to cleaning the wire. I will post this information in a separate thread as it is the basis for the product releases that will be coming this year.  :thumb: