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http://www.positive-feedback.com/Issue18/clari-t.htm
The reviewers didn't even try to arrange a full system to take advantage of the amp. I'm very disappointed in them. One take used "big amp" speakers and the other didn't even try a preamplifier.I'd say the next round of reviews should use a non-volume-controlled unit to avoid this remarkably superficial look at a fantastic product.Srajan Ebaen has been apprised of the pre issue and will be using at least two different 100+ db speakers. I think we'll see a VERY different view from that perspective.
Well, the second guy used the amp with a tube pre, and reported positive improvements, so I would say they gave it a reasonable shake.I am hinging on trying one of the stock ones with my Hagerman pre, but I don't have speakers that are efficient enough, I fear.
The next review will come from 6moons.com, in with the Clari-T (with subwoofer output jacks) will be used with Cain and Cain Abbey Speakers and a Bailey Subwoofer.
Truth be told, I am really struggling to find a way to describe the sound of this amp. I guess I could start by taking a page from Rossi's name for the amp—Clari-T. Yes, this amp does indeed provide clarity, and beyond that, it is the quietest amp I have ever not heard. Musical sounds develop unhindered by a high noise floor.
The Clari-T is extremely transparent, and although there was occasional harshness in the treble on poor recordings, it is a smooth operator. It may produce just six little watts at 8 ohms, but it can drive sensitive speakers without breaking a sweat.
As I said earlier, the Clari-T doesn't sound quite like any other amp I've experienced. It certainly does not smother music in euphonic sweetness, nor does it have the surgical-steel precision of some solid-state amps. It has its own sound, one that is a bit on the analytical side perhaps, yet is oddly embracing and musical. It is neither warm nor cold, and it has great detail, excellent inner resolution, and realistic tonality. You might say it presents a Class-T version of musical truthfulness.
Considered solely on its sonic merits, the Clari-T-Amp is a really terrific. I could live with one from now on and not feel I was missing anything important to the soul of music. It would make a great amp around which to build a low-cost, high-quality audio system.
After a few minutes of adjusting to the amp, I could hear that it had extremely high resolution, but I also have to report that it emphasized the highs over the rest of the range.
Don't get me wrong—the Clari-T sounded really good. It was full range, smooth, and even. At first I thought that the amount of detail was making it sound hot, but in retrospect, I decided that the Clari-T sounded sterile because it was so clean.
I confess to being very spoiled by tubes and their undeniable richness. For those of you who don't share this tendency, and who value resolution and detail, the Clari-T may be just the ticket.
It also does a pretty good job in the bass department. Lows were clean and rather stout for a 6-watt amplifier. The Clari-T easily puts SET amps to shame in the low end. Madonna's American Life has plenty of bass, and never once did I find the Clari-T lacking in that department. I can also say that I never craved more power, even when listening to rock and orchestral works.
One area where the Clari-T really did shone however, was it's low level detail. I noticed that with or without the pre-amp and the volume control barely cranked, the Clari-T still exhibited an amazing amount of detail and resolution.
the sound of the Clari-T-Amp shine brightly from within its quietness.
but in this case it is more like music escaping from the event horizon of a black hole.
but the Clari-T/Nola combination rocked the bigger room with a huge soundstage, very good bass, and sparkling highs. Although the amp would run out of juice at times, it sounded great nonetheless.
John Hiatt's wonderful acoustic guitar work and deep, growling vocals on the CD Crossing Muddy Waters were terrific, and seemed pitch perfect to me (having heard Hiatt live a couple of times).
The Clari-T has excellent bass control and a punchy, dynamic sound. I felt it sounded better in the bigger room, where the additional space allowed me to turn the volume up to a point at which dynamic contrasts were more noticeable.
Its virtues include its quiet clarity and excellent inner resolution, which make it a bona fide contender in the low-budget/high-value ring.