All,
Just a few things I'd like to share about Gary's review:Gary did admit to me that he may have rushed the review of the Clari-T a bit, and I know I was pretty excited and pushing for it to post without taking months and months to do so. I have to blame myself that that
One thing is for sure, he did NOT receive a broken-in Clari-T (again, this was in my control), but I am kind of glad about this because he was able to pick up on the changes that were taking place during burn-in...which is important to note in a review. Just like the famously long burn-in time of the Fostex drivers (as he had to be patient for with his Omega Grande 6's), the Clari-T defintely needs at least a good 100 hours of total play time to open up and really show off its stuff! Just about all of my Clari-T customers will agree on this.
In the amount of time that Gary had the Clari-T, I believe he made a good effort in pairing it with different speakers he had, and in trying two different rooms. From my emails with Gary, I can tell that he highly values "telling it like he hears it," and I do appreciate his approach.
Regarding not using a preamp, I knew in advance that Gary wasn't going to use one, as he was going for budget price simplicity; therefore he believed the additional cost of a pre to use with an amp that had a volume control was unnecessary. Also, if one wishes to run the Clari-T with an active preamp (tube of SS), it is best to order it without the volume control IMO.
I think Gary hit a home run for me in point out the following:
Truth be told, I am really struggling to find a way to describe the sound of this amp. I guess I could start by taking a page from Rossi's name for the amp—Clari-T. Yes, this amp does indeed provide clarity, and beyond that, it is the quietest amp I have ever not heard. Musical sounds develop unhindered by a high noise floor.
The Clari-T is extremely transparent, and although there was occasional harshness in the treble on poor recordings, it is a smooth operator. It may produce just six little watts at 8 ohms, but it can drive sensitive speakers without breaking a sweat.
As I said earlier, the Clari-T doesn't sound quite like any other amp I've experienced. It certainly does not smother music in euphonic sweetness, nor does it have the surgical-steel precision of some solid-state amps. It has its own sound, one that is a bit on the analytical side perhaps, yet is oddly embracing and musical. It is neither warm nor cold, and it has great detail, excellent inner resolution, and realistic tonality. You might say it presents a Class-T version of musical truthfulness.
Considered solely on its sonic merits, the Clari-T-Amp is a really terrific. I could live with one from now on and not feel I was missing anything important to the soul of music. It would make a great amp around which to build a low-cost, high-quality audio system.
I also have to agree with both reviewers in saying that the Clari-T is definitely NOT perfect, and I'm sure there is gear out there that can reproduce certain aspects of the sound better. Tubes vs. Solid-State and High vs. Low power gear...it's all a tradeoff. I hope that many see the Clari-T as a very good trade, giving great value, and with the right pair of efficient speakers, sound reproduction that many larger and more expensive amps cannot touch!

Oh yeah, that battery power is a nice thing as well, right?
Moving onto Ed's review:I have to agree with comments made that Ed's DIY speakers were not a great match for the Clari-T. Based on the Scan Speak drivers used, I would think that the efficiency was no greater than 87dB (I could be wrong), and Ed's other amps look like larger powered amps. Also, DIY speakers are difficult for readers to associate as a reference for the review.
When he reported about not getting a wide or deep soundstage, I initally was floored because I know one of the things that the Clari-T does so well (again, with speakers that are better suited for this amp), IMO, is render a wide and deep soundstage. IMO, the Clari-T needs speakers that I can move well to show off its ability to throw out a wide and deep soundstage.
There were times that I was a little confused by his review. For example,
Ed mentions:
After a few minutes of adjusting to the amp, I could hear that it had extremely high resolution, but I also have to report that it emphasized the highs over the rest of the range.
But then, he states:
Don't get me wrong—the Clari-T sounded really good. It was full range, smooth, and even. At first I thought that the amount of detail was making it sound hot, but in retrospect, I decided that the Clari-T sounded sterile because it was so clean.
I also believe that a lot has to do with the fact that Ed is definitely a "tube-guy," and he even states in the end of the review:
I confess to being very spoiled by tubes and their undeniable richness. For those of you who don't share this tendency, and who value resolution and detail, the Clari-T may be just the ticket.
Some people love what tubes "add" to the music. I much prefer start with a source that gets things right from the start, and then amplify it in a way that ideally does not add or take away from the sound. Tubes are well-known for "adding" to the sound, which is not a bad thing at all if you like this. It is a matter of taste, and one's taste in sound can also change over time.
Getting back to the review, Ed stated some really nice things about the Clari-T as well:
It also does a pretty good job in the bass department. Lows were clean and rather stout for a 6-watt amplifier. The Clari-T easily puts SET amps to shame in the low end. Madonna's American Life has plenty of bass, and never once did I find the Clari-T lacking in that department. I can also say that I never craved more power, even when listening to rock and orchestral works.
One area where the Clari-T really did shone however, was it's low level detail. I noticed that with or without the pre-amp and the volume control barely cranked, the Clari-T still exhibited an amazing amount of detail and resolution.
I do wish Ed was able to try the Clari-T-Amp with a different set of speakers, but I should have made more effort in making sure he was using a pair that I felt were better suited for the job. Also, the Clari-T does not seem to hide anything from the recording and source, so it would have been great if other sources were tried in this review (especially a battery powered DAC!

), but as I mentioned in my earlier post, this has been a learning experience for me, and I do appreciate the time that both Gary and Ed have taken to evaluate and review the Clari-T.
I want to say "thank you" again to Gary and Ed of PFO, and thanks to members here on Audiocircle for defending the Clari-T-Amp where they believed it wasn't reviewed under the best conditions. While I agree, I have to put blame on myself for being inexperienced with the whole process...
As long as we're all still having fun, all is good!
Sincerely,