They've turned out great!
Taking the bass frequencies off of the LGK driver really helped to open up the midrange performance. So vocals and strings sound fantastic.
It also allows you to push the speaker a lot further/louder than the LGK 2.0 alone, so they're better suited for larger rooms, even without a sub.
The bass on the 2.1 isn't quite as detailed, but being able to push it further and having a more gradual roll off is a fair trade-off, plus it also allows for near-wall placement and easy integration with a subwoofer without the need for a high-pass filter.
Here's the On-Axis response.

If you find the very top end to be a little bright, towing them out to roughly 10° will help to soften it quite a bit. I personally didn't have a problem with it.
Addressing it with a notch filter, like on the 2.0, would have required a larger cabinet, or using two separate boards, as it's already a tight fit as it is.
Danny plans to film a video on it this week, likely to go live after the Klipsch RC-64 III upgrade video.