A couple things to remember when setting anti bias. One, there is no correct setting as it changes across the record and changes with every record. Two, the dial on your table is always too high. Therefore setting by ear is the most effective way. I use Liz Story's solo piano recording Solid Colors, which is recorded with the perspective of being directly behind the keyboard with the notes playing across the soundstage. When that sounds equal and correct anti bias is set correctly. An old audio friend uses recordings with deep bass centered far back in the soundstage, when that's centered his anti bias is correct. The takeaway is any recording that is simple and easy to hear changes will work, and setting by ear works best. Oh, and the blank record space setting is always wrong, the needle in a groove has way more drag.
