Before commenting, I must stipulate that I've never heard an ESL 63 (only the 57). Most ESLs have characteristic traits, and I do have some experience with ESLs. And what I suggest may or may not be an option for your setup, or budget:
For a couple of reasons, I would go high-pass on the mains.
First; there is the issue of the ESL diaphragm's fundamental resonance (a.k.a the drum head resonance). This resonance is, by definition uncontrolled motion, and it's quite loud and undesirable. Some ESLs (Acoustats) use an acoustic dampening matt behind the rear stator to mitigate this resonance. Whereas; some manufacturers opt for no dampening and actually use the drum head resonance to enhance the low bass -- to poor effect IMO. Example: The bottom octave on a Quad ESL 57 is pretty sloppy because it incorporates the the drum head resonance to play that low.
Using a high pass that occurs above the drum head resonance can help mitigate it by not actively driving the diaphragm at the resonant frequency. I don't know where the drum head resonance occurs in and ESL 63, but design principles would dictate it's somewhere around 50Hz in the two bass panels (I believe the 63 uses two LF panels with a HF panel in the middle). To mitigate the diaphragm resonance; a 24db/octave filter slope and crossover at least one octave above the resonance would be effective.
Secondly; depending on the diaphragm-to-stator spacing (d/s) of the ESL, unloading the bass to a sub may allow the ESL to play significantly louder (the ultimate limit for an ESL is when the diaphragm is driven into a stator).
Most powered subs have a built in passive crossover, but passive filter slopes are typically limited to 6 or 12db/octave, which could help only a little. Whereas; if you can bypass the passive crossover and use an outboard active crossover with a a steeper filter slope of 24db/octave or higher, this would more effectively mitigate the diaphragm resonance. A DSP crossover, preferably with parametric EQ's, is optimal for this. A DBX Driverack PA2 is an excellent choice

I use a pair of outboard powered Ripole subs and a DSP crossover with my homebuilt ESLs. The bass is exceptionally tight and clean.
If you opt for the passive crossover in the sub(s), I would still go high-pass.