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It's the subs that come with the Super V.
Yes, buried somewhere in the middle. Don't necessarily 100% agree, but its his opinion.
They are sold out, too bad.http://gr-research.com/super-v.aspxOBS.: Wonder if this is the same project from Dr.Linkwitz?
"All accurate speakers will essentially sound the same when listened to in a setup that is appropriate to their specific design."
It's really difficult to make a box not sound like a box, but not impossible, I discovered.I would elaborate, but I'd then have to kill you. Suffice it to say I've done it, and this should be stimulus enough for some of you to give it a good deep think.
Hi RussellImpossible mate,have you made a box speaker not sound like a box?,bellow resonant frequency is boxy.What box spk have you discovered that is not boxy?cheers
What made a box loudspeaker sound like a box is the bad fact that the driver emit sound only to front + the inside sound waves chaos that disturb the cone work.
I have had all manner of box speakers, planars, subs etc. None of them can hold a candle to Danny Ritchies OB servo bass.Shakey
I guess you'll just have to give it a good deep think, George. Good luck!
My LS-9 is open baffle and I love it.
But if you add Servo to the OB sub, then you keep the musical/accurate qualities while giving the subs punch-you-in-the-chest dynamics and punch.
Most of the servos I've heard use some type of sensing device (either a secondary coil or an accelerometer on the cone itself) to provide feedback to the amp. The feedback is used to compare the input signal to the actual motion of the cone and make small adjustments, with the ultimate goal of less distortion = greater accuracy. Can you explain how this might add "punch you in the chest dynamics and punch" as compared to a similar OB configuration w/o the servo mechanism? Thanks.
That is my understanding of servo bass systems, too. Logically, servo feedback, where the cone motion is corrected to mirror the input signal, would only work with sealed systems, wouldn't it? In an OB (dipole) system this would take no account of the increasing losses from front-to-back cancellation as frequency descends; in such a system, you want the cone movement to increase relative to the input signal to compensate for this loss, don't you? In order to maintain a linear acoustic output??