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I had the same questions about loading with a SUT in the chain. I spent some time researching loading on MC carts and found that as long as the load exceeds the 10 to 20 times the internal impedance there was little or no change in the cartridge's performance. And if you look at the specs for many MC cartridges they say the load should be at least a spec'd load. My dedicated MC preamp is set at 10kOhm so I put a 100ohm resistor in parallel to test what I read. I couldn't hear a difference between 100 Ohms and 10,000 Ohms. Maybe my system can't reveal the subtle differences but now I just make sure I've achieved at least the 10 to 20 times the cartridge's internal impedance, regardless of whether there is a SUT in the chain, and I don't worry if it is many times more.
I seriously doubt you can hear a difference between 117 and 62 ohms. Even with larger differences, you'd likely not hear it. IMO...don't worry about it!
I definitely meet the criteria of being above the minimum recommended loads using my MC step up or MC direct. I just read that if your impedance is too high the tonal balance can be skewed towards being too bright. Even though I think both my MM and MC inputs sound outstanding, I want to test simple options to assure that I am able to eek out the best performance from my vinyl playback chain.
But my other thought is that the loading plugs may do more damage to the signal (eg: another link in the chain theory) than the "potential benefits" of achieving the "theoretically correct" loading.
I hear differences between 10 and 1k Ohms. I got 8 stops in that range and I am usually at 121 Ohms with my primary pick up having 5 Ohms internal impedance. At 75 Ohms or below (40.2, 20, 10) music gets loose. I will sometimes go to 242 if I want to go brighter on some recordings. I have gone as far as 475 for some recordings but never stay there too long. 1K, 4.75K and 10K did not work out.Frankly, I don't know why a phono preamp with gains for LOMC would not go to at least 100 Ohms for impedance setting. I think the sweet spot for most upscale LOMC is between 50 and 500. I really don't know how good your phono card is in your Ampzilla pre but a pick up of Universe II's stature deserves to be tried with a phono section that will allow you to try different impedance settings between 50 and 500. I agree about the suggested plugs possibly causing more harm than good. I think you owe to yourself to try in home a stand alone phono section with adjustable impedance loading. Dan has a good one at Modwright, ph150. I know he had a tester for beta trials. Maybe he still has it around to try?IMHO and YMMV of course.
The answer may be system dependent. I was running my Miyajima Madake into a DSA Phono II with a (selectable) input impedance of 450 Ohms. I added a super tweeter to my setup and found the system sounded much better at 200 Ohms.You might try cheap resistors to get the frequency balance where you want it, then switch to a high-quality resistor for sound quality.
What I found was the sound was still dynamic, detailed, and musical; however, the highs were smoother without being rolled off. For a small outlay of cash for some high quality RCA resistor plugs I am very happy with the results. I now know that matching load impedance can yield positive and audible results.
I have a Miyajima Kansui running into a Vinnie Rossi LIO phono stage. It uses internal step ups for MC and has remote control cart loading in very small increments. It's fascinating to play with the loading from your listening chair, but I still tend to set and forget it. Once in a while I'll think "that's a little bright" and drop it down on the fly, but it's very rare. Both the Kansui and my previous cartridge, a Soundsmith Hyperion, suggest somewhat unorthodox loading, so the remote made this easy to dial in, then I left it.Glad you found a setup that works for you and that DB Systems is still great to work with.