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Guys,This is a free and open forum and everybody is entitled to post whatever they want. But I am always somewhat surprised when I see people posting really strong opinions about a speaker they've never heard. It seems that there are certain design features that some folks fixate on to the extent that they are then willing to say that a particular design "cannot possibly sound good" because this driver is too big," or because "it is horn loaded," or because "it does [or doesn't] use a first order crossover," or "the driver must be a piece of junk because it has a stamped metal frame," or whatever…I have been disappointed by speakers that I thought I would really like, and I have been very impressed by speakers that didn't seem all that distinguished on paper.Bottom line: you might be surprised, too, and you just have to listen to something and decide whether it's for you. You might be surprised, or you might not. For what it's worth, Clayton is definitely in the "it's a matter of physics and science" camp, at least for my conversations with him, so I can say with some confidence that he's aware of all the interesting issues that you are raising and come if you get on the phone and talk to him, could answer your questions. As far as the efficiency of the speaker, goes, it may be important to remember that there isn't any standardized way of reporting that. Sensitivity is usually averaged over a particular frequency range, and the way companies report this specification are all over the place. What I said in my review is that I think that the 93 dB rating of the M4 is extremely honest. Trust me, the Audio Note Kits "Kit 1" does sound very open and wonderful with this speaker. Thanks.
Isn't it difficult to measure the sensitivity of OBs and panel design speakers using the conventional method? The standard 1-Watt at 1-Meter does measure the true performance of speakers with a strong back wave. I know the SPL from panel speakers does not decay at the same rate as dynamic driver box speakers. I measure sensitivity with my ears at my listening position.
rebbi we are bulding speakers for 30years...prof and diy, dont make a lesson to me ...you cannot change the law of physics ,period! coax is an old storyI ask you if the review is your work ?
that's mean that under 200 is lower then 93db.....
Prior post deleted. On reflection, venting over the inane posts of nicoch seemed a waste of bandwidth.
Rebbi,excellent review! Well written and very entertaining! I was very close to place an order for a pair of M4's after I finish reading your review!Dan
I invite you to study a little bit how an horn work , at this circle we are diy's and we know wery well...
HI JLM I fast quote some for you ,in short is fisic ! 12/15" too big , horn too small . for search for altec 604 "They can work well, but not that well. The waveguides are always too small and this causes unrecoverable problems at the crossoverLynn with a horn loaded co-axial you would be correct that you would create some strange diffraction patterns. And loading the driver that way also has its own issues with the straight edge over the cone driver. If the cone was used as the horn as Radian does then you could do something that conceivably would work but I don't see that done much. There is always some discontinuity where the cone meets the horn and the difference in angle between the cone and horn that will cause some type of diffraction. ""The problem with a 15" coaxial is that the horn can't be big enough to go down to the woofer before it reaches cone breakup. At least that's the situation with the 604. A twelve might do it. I haven't heard them myself, but I understand in the world of Tannoy the 10" is the one that really carries it off. Put them with a VLF driver and you'd really have something, I think.Tannoy has the design edge for horn size, I think, using the cone to load the treble, but I always thought there would have to be some intermodulation distortion being generated by that arrangement. I listened to a Tannoy red (or silver or black--I'm just going by the date) 15" long ago. It was my introduction to palpable realism for voice in speakers, but the guy had only one and I didn't buy it. I had a Jensen G610 back in the day. It had serious midrange coloration. I listened to Altec 604's for years; don't know how, I can't bear to have them on now. I'm keeping them only to try crossover tweeks on them eventually."
russell what I have post is not my comment but a really good expert , like Lynn Olson and altec forum.you can take your bad word back....How we can accept a review with only a pro and no cons , clear cons....
HI mcgsxr can please comment "inane posts" before jump on me ?! I write "at this circle we are diy's and we know very well..." where you see I'm good??remenber that there is a language barrier on my side ,I learn a lot here I only try to re-share not to sell speakers.....