Got back from LASF last night. Boy am I pooped. I had two rooms set up. Mine had my Wedgies with the 3x8" servo H-frames and my LGK 1.0's. My grandson manned the second room which had X-Omnis and N1X's.
My grandson and I finished building and wiring up the H-Frames at 11:30pm Wednesday night then loaded up the van for the trip to Dallas Thursday morning. However, I couldn't complete them because my HX300 amps had not arrived yet.
Rythmik doesn't keep any OB versions of the HX300 on hand because all Brian has to do is add a shelving circuit which he usually does the day the amps are ordered and ships them out the next day. It was just my bad luck that the day I ordered the amps and drivers from Danny, Brian left for China for 10 days.
Danny jumped in and offered to lend me a pair of the A370 PEQ's and a pair of inline filters for the show. So we took a little detour on the way to Dallas and went by Danny's house. In addition to lending me the equipment, Danny let us listen to some of the new equipment he is working on. Don't know how much I can say about this but audio treat of a lifetime is probably safe. Also, regarding the little chip amps Danny has posted about before, you would not believe what they were driving and how well they did it.
Once we got in to Dallas, unloaded and set up, I hooked the amps up and heard the bass units for the first time. Yes, they worked.
Here are some pictures of the Wedgies and H-Frames


Here are some of my LGK 1.0's with a separate amp, DAC, and computer source in a desktop set up. I finally got around to finishing these so I could take them to Dallas. They are finished in a crotch walnut that I lightly sanded with 150 grit then left rough rather than sanding smooth. It is hard to tell from the pictures but by leaving the veneer rough there is a three dimensional quality to the speakers. It will never be glossy because of this, but I like the rustic look.


My second room had the X-Omnis and the N1X's. The X-Omnis are unfinished but I couldn't leave them behind and I am glad I didn't. More on that later.

I also brought two of the X-CS Encores I'm working on even though the finish is only half done and set one up in each room as another example of my work



So how did it go? Everybody that heard them were floored by the little desktop monitors.
While the Wedgies sounded good when I first set them up, the bass really impressed people. I will be the first to admit I really didn't know what I was doing when it comes to dialing a system in. I was able to get it sounding decent but not great. Saturday afternoon, Danny and Gary Dodd stopped by and then the magic happened. Danny took the N1X's out and had the second room focus on the X-Omnis. Then he pulled them farther out into the room and toed them in (I had them 3ft from the wall and facing straight on). Now they shined.
With the Wedgies he first had me move them farther away from the side wall. I didn't have any room treatment and there was too much reflection off the concrete wall. Next he fixed two hook-up errors I made. The first one I made when I set the system up. I accidentally got the subwoofer inputs crossed so I was sending the right channel to the left speaker and the left to the right. The next one I created when I switched out the power amp in a hurry. I had been borrowing a Nighthawk 20wpc tube amp from Raven, nice sounding amp by the way. When I put my amp back in I got in a hurry and switched polarity on the left speaker. Then he toed the wedgies in more than I had them. He kept working at until he was satisfied.
Result - the Wedgies were transformed. People who had stopped by earlier in the day or on Friday came back by and were amazed. One person said they were good before but something was a little off, now they were seamless. I had a full room most of Saturday. Only two lulls of about 5min each. I had quite a few people come back multiple times to hear to the Wedgies and were smiling. Once everybody had stopped visiting Saturday night I got a chance to sit down and really listen to the Wedgies. I have never heard the final movement from Mahler's 8th symphony sound like that.
From a business standpoint, no immediate sales but something may develop. About a hundred people took my business card, six people were very interested in the LGK monitors and one for the X-Omnis. Even if I don't get any orders, it was worth it to me. I learned a lot from Danny about how to set up a system and then got to listen to the Wedgies the way they are supposed to sound. That alone was worth the effort.
From a fun standpoint I had a blast.
Mike