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Ah, I missed that thread so that may explain the absence of the SS8 and SS10. Thanks Phil.Still, I'm interested to hear a comparison described between the Exotica 3 and SS10 if anyone may have one to offer.
I guess the only solution would be to audition all 3 if possible and decide for myself, but being in Canada does limit my access. So perhaps a drive to Salk for an audition one day would be the best thing?TV
Ok,So I feel qualified to answer this now for you as I got to spend about 90 minutes at BRM's house auditioning his Exotica's (and damn they are the pinnacle of craftsmanship, pictures are nice, but in person - WOW!). Just got back a little while ago.I own the SS8's.Short Versions for now - this is assuming you can afford both and simply are deciding between the two.Rock, Blues, Movies - Get the SS8's.Female Vocals, Classical - Get the Exotica.Jazz - Depends on the amount of attack that you want. If you prefer a bit more attack - SS8's, a bit more Organic - Exotica.Both are incredible speakers, both have very distinct sounds in my opinion. For me, I loved the Exotica but wouldn't trade my SS8's for them straight up. But, I listen to 80% rock and Blues. I'll post some other thoughts here soon, but that would be my short version.
I hate to be the curmudgeon here, but you're comparing speakers in two different rooms with two completely different sets of electronics? To me, that renders your comparison useless. Now, if you would have the two different speakers in the same room with the same electronics, at least that comes closer to being a real comparison. But without that, the comparison is meaningless. I compared the VMPS RM40s with the Salk HT3s, but I had everything the same: same electronics, same room, same cables, etc. That's at least closer to fair than different rooms and different electronics. And even with everything the same but the speakers, it's still hard to make a good comparison, as my memory isn't great and it's hard to determine what I really heard.
I also never really understood how a speaker can be good for one genre, and bad for another. I also don't understand how a speaker that is very efficient, dynamic, and has servo subs kicking down to 20HZ can't be good for rock and blues.
I've heard the Exoticas and SS8's on the same gear in the same room so I still second DEP's opinion regarding the SS10's and Exotica.
I'd offer up ESL (electrostatic) speakers as an example. I had hybrid ESL's with a folded transmission line bass module for several years. Bi-amped with active crossover. They had great bass. My ESL's were a di-pole so the soundstage was quite expansive. The ESL's had excellent transparency, very fast and detailed. The RAAL tweeter and the Accuton mid in the SS series are both extremely low mass so they are also very fast and detailed. I can also open up the back for some di-pole action. However, the mid bass impact with my ESL's wasn't as good as my SS8's. I felt the ESL's excelled with classical, acoustic and female vocals, but were just OK for rock. And I've had acoustic treatments in my room since 2006.I've heard the Exoticas and SS8's on the same gear in the same room so I still second DEP's opinion regarding the SS10's and Exotica.
In DEP's post he talks of SS8 not ss10. Please keep in mind the HF and midrange enclosure is different between the SS8 and SS10 and that can contribute to differences as well.If I'm ready to drop $12K on a pair of speakers, I'm looking at comparisons that are at least equally priced to start with.TV
This sounds more like a comparison between speaker technologies and sound presentation, versus being genre specific. If someone prefers the sound of ESL, then anything on the panels is going to sound good to them. There are plenty of people who greatly enjoy all types of music on ESLs. If you, on the other hand, prefer the sound of dynamic speakers, the same principle would apply.