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P.S. I paid less than that for my 211 monos and judging by tube lineup, Thomas' design is a lot better design then using three stage based on small 9 pin driver tubes.
As someone who has studied tube amp design for many years and built tube amps myself, I highly recommend Thomas Mayer http://vinylsavor.blogspot.ca/. His doesn't cut corners, use electrolytics and knows how to design well. I own 211 monoblocks built by him. On par price wise with the Line Magnetic series (I think) but way better parts on average.
I wonder why they apply 3 tubes if 2 are enough??Do you would post any specs or photos from your 211 amp?
Well not many tubes out there can drive a 211 with just one driver tube. He found a very interesting triode used in (iirc) radio transmitters that has a mu of 300! Given the super high gain, he uses a step down interstage to convert the extra gain into current drive that lets the 211 draw current in A2. Its really a clever design and much more clever than the bog standard ways used with small 9pin tubes.
The thing I like about Thomas is that for all but his most exotic designs he shares with your the circuit, so you can see for yourself that it is very well designed (that is if you know design). Second link shows the design. Its about 30watts from the A2 operation (courtesy of the interstage transformer).http://vinylsavor.blogspot.ca/2012/11/making-of-211-vt4c-mono-amplifiers.htmlhttp://vinylsavor.blogspot.de/2011/03/making-of-211-amplifier-part-1-planning.htmlhttp://vinylsavor.blogspot.de/2011/03/making-of-211-amplifier-part-3.htmlhttp://vinylsavor.blogspot.de/2011/03/making-of-211-amplifier-part-2-assembly.htmlHe shipped them to meet in wooden crates he made for shipping, they arrived safe and sound. The four chassis version was his preference since they are easier to move, the mono blocks are ridiculously heavy. But I liked the looks of the mono blocks, so I opted for them. He also let me chose any wood/color I wanted. I went with utilitarian black.
For the record, some of the commercial amps that I seem to like in terms of the perceived design and build quality include Line Magnetic, Melody Audio (higher end stuff) and a few others. Realize that the driver in a SET amp contributes as much if not more than the output tube despite the optics. This means that the driver stage is very critical to the sound. I am not ripping on Black Shadow, the 5687 variant (E182CC) is amongst the most capable 2nd stages of the 9pin family, but that still means they have to use 2 stages and voltage swing for the 5687 will be marginal for full 845 output. Again, I haven't see the circuit details or heard the amp, just judging by what I know about tube designs. I've sketched quite a few paper designs for the 845 and similar tubes, so I know the requirements. (I am a bit intimidated to play with >1kv B+, so I let Thomas build mine).
I'm not sure I understand why so much capacitor storage though, is it because there is only the one 211 per channel providing output current?
Nice. Do your 211 amp is that with 5 chokes?The driver is a 2A3, 12ax7/au7 are gain in the preamp stage.
That row of caps are 5uf/2kv paper in oil caps. Each of the 10uf caps in the schematic are two 5uf in parallel, so that is 10 caps. 2kv paper in oil caps are big!
Those look incredible! I'm not sure I understand why so much capacitor storage though, is it because there is only the one 211 per channel providing output current?
How can one obtain these or any of his other amp builds?Any idea of the cost in $US for the 211's shown?Curious,Chris