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The Bifrost is on my radar, love the aesthetics:)But from the reviews, they seem to have a warmer presentation.Is there a noticeable difference between a Bifrost and one using a es9018 chip?and how about the wyred4sound DAC1? or the Mytek?I'll be blowing my audio cap with these $1000 dac'sDon't know if thats overkill for a simple amp like mine.
Have also heard the W4S DAC-1 in my system - tonally didnt work at all.
I am using a used DIY Fostex 166 e Bass reflex box.(20x12x10 in)thereabouts.
Hmmmmm? I find the W4S to be pretty neutral and detailed with great bass and a slightly warm midrange. Imaging could be better, but so could my listening room (set up / acoustics). It isn't the most "expressive" DAC I've heard either, which could just mean that it isn't putting extra emphasis in any frequency range. I have a hard time understanding how this DAC wouldn't work well in most scenarios, especially tonally. It's pretty spot-on for a sub $4000-$5000 DAC. Some may do things better in some areas, but on a whole the W4S is a major bargain for everything it does well. Honestly, I think the W4S could serve as a good benchmark for which one could judge other DACs lower in price and higher in price up to around the $2500 mark. With anything in this hobby YMMV and no one can pick what is right for you.
I've used the same speaker in the past, although with a pretty rubbish amp compared to the one you have. They are generally a bit warmer than the Lowthers so give you a bit more flexibility on DACs. I havent heard the Schiit DACs so cant comment on that specifically. The Lowthers are tonally a bit lean so need something with little bit of extra warmth and sweetness to work best - particularly in my current room (the last one was more forgiving). The W4S was a bit too neutral. I compared it head to head to an old Assemblage 2.7 Platinum which, while clearly less resolving, tonally suited the speakers better. I have a friend who uses a US$12k+ system and absolutely swears by the W4S-2 so I guess its a system matching issue. YMMV holds I guess
Personally, and this may just be my preference, but I like sources that are as close to an open window (or at least seemingly close to an open window) to the music as possible. This way, you know if there's synergy issues, the source isn't likely the problem. From there one can "flavor" the sound to their liking with preamp, amp, and speaker choices. If you have a more obviously "flavored" source, it's signature will impact ALL components in the chain from the get go. Ideally, to me, knowing that speakers come in the widest variety of flavors, I think having a neutral source and preamp are best. From there, one should match amp and speaker qualities to meet their needs (listening habits, music preferences, room size, etc etc). Obviously, my thinking isn't the ONLY way to musical nirvana. It's just a method or approach that works well in my personal experience.