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(New: And after a few weeks of listening, I'll add that in terms of tone (a satisfying sound), the 16 and Zen are very close. When it comes to sounding like real live instruments / vocals, where timbre really comes into play, I think the 16 leads by a significant margin.)So again, for a modest investment it's a very nice sound system.Kent
Just curious, did you do most of your listening/comparing with the stock tubes in the RWA gear? I have a similar system (Sig 16, Bellina DAC, Omega Super 3XRS) and found that tube rolling in both units makes a difference. I have heard my speakers with a Dared 2A3 amp and, though it does some lovely things, the RWA combo is still superior - especially with Dario miniwatts or Amperex Pinch Waist 6922's rolled in.
I may be biased, but I have found tube amps with output transformers generally have a lack of detail which is very important in the amount of soundstage that I hear.
Well, you can't expect a cheap (relatively) Decware amp to stand up to a "good" amp of any type... It's built to a fairly low price point and good parts are not cheap, which means the Decware cannot afford to use good parts. With a SET, a lot of the sound is determined by the OPTs, coupling caps, and power supply, if you want good quality and there is no way to build an amp under $1k, in fact about $1k is what the parts would need to cost. Unfortunately, no free lunch for any amp type, implementation is more important imo.
Recently I acquired a Decware flea amp (2 watts into 4 ohms).Reading about the Zen my expectations were very high. There's always that hope that a different technology might be even better than the one I have. Many claims (researching on the internet) that the Zen outperforms many / most amps at many times the price.
How many hours have you put on it?