Here are my impressions of the Odyssey Nightingale speakers auditioned at Barry’s showroom in Hong Kong.
DescriptionIt’s an attractively designed and very slim floorstander. The yellowish Oak veneer isn’t really to my taste though. A darker veneer would be less intrusive. A word about set-up - Barry says they are a little more fussy about placement than the Epiphony and bi-wiring is a must.
Equipment usedAll Groneberg cables and power cords, Ayre CX7 CD player, Etesian, Tempest, Stratos Plus and Stratos DM. Speakers were pulled well out into the nicely treated room. Barry informed me that the speakers had about 100 hours of break in and has some ways to go still.
SoundImagine, if you can, an Epiphony with deeper bass, more refined treble, better detail and a slightly less forward presentation. That’s what the Nightingale sounds like to me. The downward firing bass sounds more diffuse (not loose) with less impact and drive than the Epiphony. It was still tuneful but perhaps the addition of spikes would improve bass definition and overall focus.
The good thing about the Nightingale is that it maintains the vibrant, open and fast quality of the little Epiphony’s and throws a wide soundstage which doesn’t significantly change in character as you move around the room. Perhaps the Epiphony’s disappear a little better but if my memory serves, the difference is slight.
Nothing but the BEST!These speakers are VERY responsive to partnering electronics. We started off with the Etesian + Stratos Plus which sounded detailed and open but a little edgy with certain recordings.

We moved up to the Etesian + Stratos DM and the sound became more relaxed and fluid.

The best and most musical combination to my ears was the Tempest + DM combo. The sound was more natural, the mids in particular bloomed and became more palpable and the treble was less “spot lit”.
Detail was a toss up between the Tempest and Etesian. If anything, the Etesian sounded even cleaner and quieter than the active Tempest, allowing more micro-details to come to the fore. But cleaner and quieter does not equal better. The Tempest is more musical, fluid and cohesive. Music swings better with the Tempest and very importantly, I hear less digital grain and edge from less well recorded CDs. This has, so far, been my experience with passive vs. active pre-amps driving SS amps. I have used a DACT passive before to drive my SS amp but always preferred an active pre-amp in the long-term.
If you are considering the Nightingale, I would use the best electronics and front-end your budget allows. These speakers will certainly appreciate it!
