I would like you, do the cdp,then try the 26.
If it's not a huge difference you can here,especially when you have to exert some energy to swap them out and still have the same frame
of mind,especially when your mind is anticipating a difference and your hearts pumpin a bit faster after the cable swap(been there).
Yes even physically going up to the gear and swapping cables will mentally make a difference.
Been through shunyata's helixes(Anacondas,pythons,lessloss ect,sold em all.
Still like the eye candy thing so I aquired used(and for cheap)Taipans(10awg).
Been doing music all my life and can't hear major difference especially when people use the words more slam,bigger stage,mids and highs more open.
If it was such a major change then I'm sure an external digital recorder could record the before and after.
After all a good recorder can pick out macro detail.
I'll take a cable that doesn't act like an antenna,course the 2"foam pipe insulation cords with 16awg twisted or better yet braided by hand with a nice jacket covering the reality of what's really inside,plus a 2100.00 tag at the end,hell I need twelve of em as that what I have for amps and components.
If it were such a difference I would have kept them as for me music is the star of the show and if a cable makes a dramatic improvement
I'm all for it,been thru a lot of cables(PC's,IC's SC's)back to home base with Bryston cables and of course some eye candy for cheap,the Taipans.
Whoops,time for another bud
.