I believe I was about 75-80% through the tour as far as receiving the discs. I thought they were pretty hacked up when I got them but I wouldn't necessarily attribute that to the fact that I failed the test, and I did "fail" as far as I'm concerned.
I have a fair bit of experience with cryo with cables, receptacles, components and CD's; have probably done at least 50 CD's in the past, possibly more. As such, I felt the only way that I could consider myself to have passed the test was to not only identify the difference in the discs but also to identify which disc(s) were cryoed and which were not. 100% accuracy in identifying the cryoed and non-cryoed disc.
I did choose X as a cryoed disc correctly but incorrectly chose A as being non-cryoed and B as being cryoed. Spent probably 3-4 hours straight listening to the discs and it was a struggle to hear significant differences.
I have heard what I consider to be fairly significant differences in cryoed vs. non cryoed CD's in the past but simply didn't hear them with these CD's.
I am on record here (last post in the thread) before this evaluation:
http://www.canuckaudiomart.com/forum/viewtopic.php?t=26731as saying that the differences in cryoed vs. non-cryoed CD's are not consistent (I'd have to say that my experiences with cables/receptacles in particular (but not necessarily whole components) would be described as consistently positive. In other words, some CD's and music benefit more from cryo than others and with some CD's the difference is "negligible" as I said in the linked post above. I'd certainly describe the differences as negligible, at least to me, in this case.
Now most of what I own in the way of CD's are older performances, originally recorded analog but possibly remastered. Plus some DDD recordings, mostly blues and jazz that don't have much in the way of synthesizers or the kind of electronica/highly processed sound of the CD's on the tour. I have a fair bit of Floyd on vinyl but almost all of it is earlier (with the exception of say, The Final Cut, I think) and originally recorded all analog.
With discs that I've had cryoed in the past, the ones that have exhibited the biggest sonic differences have, in many cases, been discs that were originally recorded analog, but may have been remastered (possibly poorly) for digital, or may not have been exceptionally recorded in the first place. Of the discs that I can recall showing the biggest improvement post cryo, a few from memory would be Paul Butterfield Blues Band/Self Titled and a number of the RVG Blue Note CD reissues (I think Rudy's hearing in the high frequencies may have been shot when he did these as they are very BRIGHT, nasty might be a better word

). These CD's, for example, sounded noticeably better post cryo: smoother, more fleshed out, less "edgy".
Now, don't get me wrong: as much as I'm not really keen on the "processed" quality of the Floyd disc(s) on this tour, I think the performances represent a pretty high level of digital recording (not that I really like digital recording that much

), and the performance is very dense and full of synthesizer, which is pretty hard to (IMO) really establish a "correct" sound for, as opposed to what I consider to be real instruments in real space. Of the Floyd that I listen to most, I'd expect a cryoed CD of Dark Side of the Moon to maybe exhibit some better qualities post cryo as it's a bit hot as a recording initally; I think I might have problems, for example, ascertaining differences between cryoed CD versions of Wish You Were Here and The Wall, which I'm both really familiar with, as I think they are much better recorded initially even though they're all analog as well.
So there's my excuse, but I struck out! At least I can admit it.
