Danny, not getting into a better/worse debate about another designer's product, but considering I'm sure you've tried the arrangement of servo subs in Ric's design before, I think you could answer this question better than most.
Arranging the servo subs on a flat baffle (like Ric has done), in comparison to the h-frame of the S7/V1/SV, I'm guessing the difference in performance between the two is that the flat baffle of appropriate size would allow the woofers to play flat down to around 20Hz (as Ric quotes on his website), while the h-frame reenforces them to get down into the teens, with the flat baffle maybe playing a little cleaner due to the complete lack of any possible (minimal? unobservable? hypothetical?) coloration from the sides of the h-frame?
Another semi-related question - using the drivers on a shared baffle as Ric has, in comparison to the S7, would supporting the upper drivers on the edges of the baffle/woofer frame (S7) theoretically reduce vibrations transmitted from the woofers to the upper drivers more effectively than the drivers all sharing a common baffle (Ric's design)? I know that in any case one is most likely spitting hairs in debate, and I know that folks around here have talked before about the common baffle design being more "aesthetically marketable" regardless of sonic performance differences, but I'm curious to know if I've got the ideas about right?
. . . I'm sure Ric's design is a fine speaker and looks to be at a nice price point. . . How about some of the follow up models to the S7 from Serenity Acoustics to stir up some friendly competition?
