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We use them at reflection points all the time. We did it at RMAF this year also. It can work very well if the off axis power response of your speakers is good. QRD's oriented vertically will scatter front to back in the room and give a very nice spacious feel to the room and expand the soundstage.
We use them at reflection points all the time. We did it at RMAF this year also. It can work very well if the off axis power response of your speakers is good. QRD's oriented vertically will scatter front to back in the room and give a very nice spacious feel to the room and expand the soundstage.Bryan
Have to be careful though...if your speakers are close to the side walls the angle the sound hits them from can be quite steep which can lead to the sound not going into the wells as it is meant to and performance being not as the diffuser designer intended. If your speakers are a ways out from the side wall it is better.Diffusion and constant directivity horns...yummy!
Have to be careful though...if your speakers are close to the side walls the angle the sound hits them from can be quite steep which can lead to the sound not going into the wells as it is meant to and performance being not as the diffuser designer intended. If your speakers are a ways out from the side wall it is better.
What would you choose for the first reflection with directional electrostatics (Sanders Sound Systems)?
Somebody will likely do a better job of replying to your query than me. Flat electrostat panels are highly directional, right?
So, what's to diffuse except the wall or corner directly behind them? I'm wondering if, say, three columns were placed directly behind them. Could something like that be beneficial?
Sure- the angles are still steep.And just for clarity, something like the skyline is actually 3D and a typical QRD is 2D. 1 or 2 spatial and 1 time.