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If a closed box is omnipolar, you can't expect an open driver to be *less* omnipolar.At the frequencies involved, unless the baffle is huge, every driver will radiate omni-directionally. If you don't put a box behind the woofer, you'll simply have a 180-degree-out-of-phase second driver that is the back of the cone.
Or how about these AE's, any experiences on them :http://www.aespeakers.com/drivers.php?driver_id=32 ??15"'s would certainly move more air than 12"'s. And on the other hand, I'm not sure if servo gives any benefit if there's 4 drivers per side, since the driver's movement is quite minimal.
It's more about the implementation than it is the driver. If the driver has good linear travel and does so with minimal aerodynamic noise it's going to work fine. All other parameters can be adjusted electronically.Cheers,Dave.
Is there anyone who has heard both Peerless SLS 12" and GR Research 12" in dipole setup? Would be nice to hear some impressions and comments on main differences..?
Thanks for your comment, Davey! Can you (or anyone) recommend some fairly priced 15" drivers that "has good linear travel and does so with minimal aerodynamic noise"? AE's might be good, but they also are quite expensive.
Can you confirm you're asking about the Peerless SLS driver and not the XLS driver? Big difference there. Dave.
Yep, I have heard both. And they are not very comparable. I can answer all the rest of your questions as well but I always get frowned upon for answering questions like this outside of the GR Research circle. Feel free to post those question in our circle.
Yes, I was asking about SLS, since I've understood that it's better option for dipole setup.
Danny, please feel free to comment on this subject; I wouldn't want to start many discussions of same object.Over all, all comments on best possible 12" -18" drivers for 20-200hz dipole setup are more than appreciated! Main options now are Peerless SLS, GR Research, and AE Dipole15.
Yeah, but you are asking me to comment on my own product compared to other options that aren't even comparable. As soon as I lay out the differences I will be accused of using this circle to sell my own products. It has happened before.
I don't post incorrect technical information about my products.
Davey called the DEQX a silly gadget, and that is not too far from the truth to some degree. It is a good learning tool and is an interesting novelty. It is also not bad for use in an entry level or lower mid-fi system. But if you are really looking to move up the ladder then I would recommend avoiding those things. The quality level of the DAC's used are not great. You are really bottle necked there. The DEQX is better than similar products from Behringer, or the Mini DSP product, but still a long ways away from most high end DAC's. Also, the room correction in reality doesn't work. I could go on and on with the reasons it does not work. It can be somewhat useful in the ranges below 200Hz to control the bass levels but beyond that it should not be used as room control. There are also better ways to control bass levels too. I'd run the Maggies full range or use an in line filter in the interconnect path to roll off the lows. Then control the subs with their own control system to balance the response. Then put that DEQX money into a really good DAC and room treatments instead. You'll be glad you did.