I posted this earlier today on another forum... it seemed relevant:
what you are creating with the combination of inductance resistance and capacitance is basically an equalisation circuit... - a low pass filter.
Altering the parameters shifts the rolloff frequency, as well as the slope of the rolloff after that point, and also whether you generate a resonance at the rolloff frequency (which manifests as an amplitude boost at that frequency, and frequencies around 1 octave up and down from the rolloff frequency).
This is most audible with MM/MI (high inductance) cartridges where the rolloff point is in almost all cases well within the audible range, and therefore the loading can be used almost like a treble control...
With MC's it gets more complicated.
The electrical resonance at the rolloff point is located well outside the audible zone up in the ultrasonic range.
But in some cases the resonance generated can be a boost of well over 20db - in cases like that simple background noise can end up being boosted to the point where it starts chewing up the available phono stage bandwidth.
In the worst case it may clip - in which case all sorts of nasty distortions get generated - including down within the audible frequency range.
In other cases the frequencies in the UHF range can (depending on the design of the particular phono stage) and frequently do generate intermodulation distortion within the audible range.
So what is heard is not in fact the resonance itself, but the indirect result of the resonance in terms of distortion.
Adjusting the loading can lower the resonance or eliminate it, and by eliminating or reducing it you also eliminate or reduce any associated IMD (Inter Modulation Distortion)... and of course reduce the likelihood of clipping and clipping artifacts.
Regardless of the myths floating around - the alterations of electrical parameters have no impact on the mechanicals of the cartridge as the magnitude of the forces involved is many orders of magnitude smaller than the forces involved in the stylus/vinyl interface.
So yes back EMF exists in a theoretical sense, but is irrelevant to vinyl....
The real issue is that MC loading is very unpredictable, as the response of differing phono stage designs is different! - a circuit prone to IMD from HF peaks will respond positively to loading changes.
Another which has ample headroom, and a circuit which is very wideband and not prone to IMD might not respond to loading in any audible way!
And unless you have access to appropriate lab equipment, you have no way of knowing which category yours falls into - hence it becomes a black art!
Without detailed measurements it is hard to know, but when people change the loading and hear a difference with an MC, the chances are very very high that the difference is due to the presence or absence of an audible distortion - this distortion product is then perceived as brightness or dullness etc...
Actual frequency response measurements show that changing the loading has not impact on the frequency response when measued by frequency spot tones. It does have an impact with pink noise, but a pink noise measurement includes the distortion as part of the measurement, which is why it better reflects the perceived frequency response as opposed to the "true" F/R.
With regards to calculating the "ideal" load - there is a good calculator here:
http://www.hagtech.com/loading.htmlBut to calculate the loading, you need to know the cartridges inductance... which is not readily available for many cartridges!
Hope this helps and does not confuse things too much!
bye for now
David