In the current issue of Absolute Sound, the reviewer states, "As with Bryston's analogue electronics, the BCD-1 is neutral and transparent, though it's soundstage will be squished and it's tonality a mite dry if not supported by a good set of cones".
Any folks on this forum try cones with their BCD-1? And, did it have the effect mentioned by the reviewer? For those folks who have tried this, what cones were used?