I think the review's lack of specificity in describing the musical characteristics of the Ultravalve amplifier is because there is no audio vocabulary to describe it accurately.
We have found something pretty intangible - - - a big electrical engineering step forward. An unmasking, so to speak, of what is there in the recording that has been previously simply obscured by distortion effects very hard to identify and eliminate. So hard to identify and eliminate that it has never been done before.
Fortunately for us, once we know what has to be fixed, we are pretty certain we can discover and fix the same issues with other products. At this time, we have certainly made the Avastar preamp and Vision DAC keep up with the Ultravalve. Our much more powerful Insight+ and Ultra+ amplifiers have made great advances in this direction too.
It certainly is not the cables, power cords, magic passive parts, or any of the other flood of audio voodoo out there stealing your audio resource dollars from good electrical engineering.
Where would we be if we concentrated on wonderful sounding power cords instead of learning what are and then fixing worse case engineering problems?
All those pushing wonder wires and gob-stopping dingleberries as their road to selling you, at your high cost, audio bliss, have one thing in common, they know zilch about audio engineering, and we suspect are simply out there to defraud you from as much money of possible, not much different than those buying Manhatten from the Indians for a few pretty colored beads.
Think about it please. And, of course, the best answer is simply to try an Ultravalve amplifier in your system and experience what it can do for you that all the expensive audio add-ons simply can not.
Regards,
Frank Van Alstine