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I recently read a review of the Jaton RC2000S pre-amp/DAC...What I read of the piece from Steremojo intrigued me (not the DAC per se because I already have two), but the combination of company philosophy, price, content value, features (note remote controlled sub output and bass management), and of course the description of the balanced/neutral sound (in particular soundstage/imaging & voice) pushed many of my buttons.OTOH I also found a luke warm review from Audiophilia for it's sister piece (RC2000P pre-amp/phono pre-amp). Perhaps a power cord swap (as mentioned in the steremojo review would have helped).Honestly I was looking into a tubed pre-amp, but my experience with a popular tubed DAC has been a bit of a turn off.Not much information out there, any opinions of the company/piece?
Thanks for the feedback guys!My Channel Island Audio D-100 (modded Hypex) monoblocks can be configured for 26 or 32 dB of gain (bought used, not sure which these are), so ultimately should be no problem with pre-amp output. I really like the concept of monoblocks and these use tiny amounts of electricity while sounding great. I’m committed to CD for now and maybe computer source later (no vinyl). So I was thinking of only having TV, computer, and blu-ray player (if computer isn’t up to the latest video, currently I’d look at the Oppo 93/95) for sources in a system with LFE subwoofer. I’d keep this pre-amp and the monoblocks. So I don’t see a lot of compatibility issues with the limited RC2000P/S output.Neutral sound, great soundstage/imaging, and especially the bass management/subwoofer capabilities is what got me interested in the Jaton RC2000S as a reasonably priced high-end pre-amp.BTW I listen mostly to classical and jazz at moderate levels in a 2,000 cu. ft. room with 54 year old ears. Good to read positive things about all these pieces. John, why (other than cost) would you recommend the RC2000P over the RC2000S? Note that I have no need for phono pre or DAC.
Currently I’m running an Onix CD-3 with Scott Endler modded Behringer DEQ 2496 (DEQ/DAC) for a front end. I use stepped attenuators directly into the monoblocks that are wired straight into Fostex F200A full range drivers (30-20,000 Hz, 8 ohm, 90 dB/w/m, AlNiCo) mounted in Martin King inspired Brineacoustics FTA-2000 mass loaded transmission lines (no need for a sub in this 100% music system). The DEQ allows me to forgo the baffle step/zobel circuit that the speaker needs and provide some room EQ. But the system I’m thinking of would include video and be a bit lower scale speakers (sound quality/price) as I approach retirement (and older ears).College in Flint eh cliffy? GMI, Mott, or U/M Flint?