You're right of course. No need to go off the deep end with SET's. In fact Martin King gave me a ration because he does his Lowthers with a 150 watt SS amp (or something like that). All of which is absolutely cool.
When I play the Norah Jones and Sarah M on my SET and FRers, I'm not getting any sibliance out of my rig. You are right though, I do have several recordings that do have it (sibliance).
Many of them are overproduced. They compress the digital recording, then ramp the sound up until it goes beyond the 0db mark and begins to clip, then they use a smoothing filter to further clip the sound (even though they think it is just rounding off the square wave they just created by all the previous nonsense).
The end result is a CD that is unlistenable. The latest that I've found like this is Robert Randolph and the Family Band's release Unclassified. Absolutely hideous processing. Great music, horrible mastering. Everybody in the studio involved with this POS should be slapped, really hard.
Another one that comes to mind is Karrin Allyson's Ballads. Great recording, minimal processing, really poor chioce in vocal mic's. Talking to Dennis are Pure Audiophile Records, they had to use a de-esser to remaster this on vinyl (you don't want to know how many S's they had to clip). You can really hear the Sss's on the CD. Pretty nasty actually.
Getting back to markC's issue. Don't underestimate jitter and crossover distortion. They are real and audible. Since his nOrh seems to be the constant in the situation, it sounds as if that could be the culperate. This is just a guess though.
The next logical step would be to borrow a better (or at least different) CD player and see if it still happens. Who knows though. It may well be the copy protection and my player is immune to it.