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The next resonance is at 28kHz - and this is relatively undamped - the rise to that resonance is the main thing that needs to be controlled to provide a neutral response... it goes up to over +10db.The original V15VMR stylus depending on model/variation went from 32kHz to 35kHz (possibly even higher on the Ultra500... ) the tip mass did vary with the very best VST or Ultra versions having lower tip mass - due to thinner cantilever tube walls - the higher spec ones might have been hand picked?The impact of raising that HF resonance is substantial - the boost on the SAS fades out around 14khz (actually a bit further, around 11kHz - probably due to damping) , where the VN5MR fades out naturally at 16 to 18kHz and with damping influence perhaps down as low as 14 to 15kHz.How audible is that difference? well, anything below 15kHz is going to be quite audible - and the VN5MR moves the resonance amplitude boost out to above 15khz, then further controlls it with loading (and cartridge inductance) to result in a spec of +/- 1db to 20kHz
The High capacitance affects phase in the opposite direction to that generated by HFR, it is sort of like having two treble controls, and turning one up while turning the other down - net effect is Zero (assuming they are calibrated to match each other).You can model the HFR resonance as an electrical resonance - it has exactly the same behaviour in terms of signal effect both in the amplitude and phase domains.You can therefore also reverse that effect by building a filter network that has the exact opposite effect - that would be the standard Inductance/Capacitance/Resistance network set up by cartridge with R and C load.But for the very same reasons that we like to avoid treble / bass controls, ie that there are other distortions added by each stage of processing, is I think applicable here. Yes it returns phase to near neutral, along with amplitude/frequency... but has it in the process boosted other distortions and effectively resulted in a step backwards? - Not sure!I started looking for the X1 back when I was focused on low inductance bodies.... at the time I had not understood the relationship of phase to cartridge loading and inductance...But the X1/X2 may also have other benefits, although not obvious in its appearance, it is a magnesium body, most likely potted as well, and in the case of the X2, it specifically states that it has internal anti-resonant treatment.I think it likely that its performance should be almost identical to the V15V (same or very similar design and inductance) - but the X1/X2 may perform closer to the legendary Ultra500 due to the mounting and shell construction.Still I am wary of the combination of SAS/and JVC given my experience with the Shure
Have you tried loading at 10 to 15K w/o such extraordinary capacitance? This seems like the Peter principle at work. With the V15V Jico has reached their level of incompetence.
Wherefore thou utter such conjecture? You now measure phase, determined the sign thereof and declare peace between domains?
I suspect the SAS is a better match for the X1, Z1, simply because those carts most likely have a stock cantilever resonance close to that of SAS.
Hi over the weekend i pick up a realistic V15 RS but it need a new stylus which one do u recommend?Thanks lap
AT95 sa ....?
Hello Neo,I also am waiting to hear from David. I do have more to say in regards to the Z-1 SAS combination but I want to wait and hear from David before I add to the discussion. I just saw a JVC Z-1 EB purported to be an elliptical/boron combination on the Jauce (Japanese auction site), sell for $27. I seriously thought about bidding on it but considering I already own 2 of the X-1's and a Z-1 original with also a SAS stylus to place in it when ever I want, sort of makes me feel I'm might be getting greedy so I left it for someone else to discover. I stand by my claim BTW! And I am also sure that Nandric has the same problem that I have (when one of them is in play), in regards to getting this smile off of our faces! (grin)In play I hear very little difference (if any), between the Z-1 and the X-1, both having a beryllium cantilever and a shibata tip. There is a slight difference in measured responses but where it counts the most, between my 2 ears, I do not hear it. I was able to buy a Z-1 original stylus (beryllium/shibata), from that Jauce site for $22. Yes, pocket change for a beryllium cantilever! But the real killer deal is with the Z-1S body (which can be found on any auction site), married to a Jico SAS stylus. More details will follow after David has time to digest his X-1 MKII and reports! He has waited for a long time to get a X-1 body to go with his original stylus so I want him to enjoy it first. Regards,Don
No SAS for the X1 here.... (hesitant to get a 4th SAS when my other 3 are barely run in!)And the TK7LCa, well it is basically an AT20ss isn't it - and I have to say the AT20ss is pretty spectacular...