Brian,
I am very sorry that I missed your post for so long. I'll attempt to address your concerns fully.
I noticed a thread on a sealed 1801b, which seems like a good option for crossing over to a sub. Any thoughts on feasability, xover points, xover recommendations? I wonder if using a smaller enclosure to roll off at about 80 hz would be better than a xover?
Using a progressively small enclosure (i.e. less than 16 liters) for a sealed 1801 will create an underdamped, high Q bass system. The result will be a boomy bass due the excess spring force of the cabinet. An electronic crossover is much better. Not only will the roll off be nice and even, but the high pass will thermally unload the W18 woofer.
I'll probably build a full range eventually, but right now I'm about to start building a sub to get my feet wet.
This is an excellent idea. Subwoofers are very easy, and those with better drivers are VERY expensive commercially. I think the SCC300 is a great driver, but it leans towards musical and away from droning boom boom. Many HT guys prefer the latter and this is fine. The products from Adire Audio are also very respectable.
It has a 3.2cu ft truncated pyramid enclosure that (for the sake of experimentation) is convertable between sealed and ported. Got a Dayton titanic MKII (affordable) which has a fs and qts that put it right between ideal for sealed and ported. Tuning it low with the ported mode (21hz) using dual 27"L x 3" ID ports opening down, driver firing forward. So eventually, I'd like something to replace my trusty old B&W DM12's for something to play with this sub. 1801b's? DM-12's will probably go to the rear.
Since I have not run the parameters on this driver I cannot vouch for the specifics of your application. However, 3 cubic feet for a 12" woofer is often correct.
Re the 1801's- That magnesium cone Seas driver has some resonant modes at about 4500 hz, I believe. Has that caused any audible problem? Guessing the xover is below that.
Yep, you are darn near right about the cone resonance. It's actually centered around 4200hz. The bummer with any driver is that , "ya can't have yer' cake and eat it too". ALL truly stiff cones will exhibit a cone resonance. This is simply because the cone won't flex and absorb the acoustic pressure against the cone. If the cone flexed the acoustic pressure would be absorbed and gradually retrasmitted. This is the case with... oh... 99% of drivers. The other 1% require a nice steep crossover to avoid their cone resonance. The 1801 is obviously in this group.
Right now using a yamaha px-3 tt, yamaha cx-2 pre, yamaha t-2 tuner, adcom gfa-545 and hafler dh-500 amps. Eventually want a lexicon for surround / dolby digital / dts movies. Maybe this 1801b is way over classed for my system.... But the price for parts looks good.
Well.. probably 50% of my customers have systems similar to yours. About 10% have very good source electronics. Probably the only group of people that I grossly discourage are those who dearly love their 70s and 80s rock-n-roll. These recordings are... uh... very bad. Some nice soft paper cones are much better with this music - at least to my ears.
Also, the price for parts of commercial loudspeakers would astound you. 7 years ago I was completely ignorant about this. Now I know better. The "hook" in the loudspeaker industry is the crossover. A good crossover can make very average drivers sound very decent. A bad crossover can decimate even the most expensive drivers.
I just checked the T/S parameters of the W18 in WinISD, and it looks like an 11 liter sealed enclosure will give an F3 of ~65 hz with a Qtc of .71. Its also clear this driver is meant for a vented enclosure...
This isn't quite correct. First, adding some dcr will bump the Qes and subsequently the Qts slightly. Second, the Factory parameters are a little off. Most of the drivers I have measured in the past 1-2 years hover around Qts .39-.42.
A few folks experimented with sealed cabinets (including me), and found that 16 liters is about right. If you want to be anal, build the cabinet slightly large (i.e. 17 liters) then add inert material to the inside of the cabinet for tuning.