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From my experience, the wire itself is about 1/3rd of the puzzle. 1/3rd is the dielectric material, and 1/3rd of it is geometry of the conductors.
So... just drop in and say "yea" if you wanna try 'em, and I'll be stopping in to check back from time to time. Then I'll post and let you all know that they're ready to go when they're ready to go.
Danny,Thanks for the input! I guess I haven't experimented enough to come to any percentages like that, but you gotta figure it all makes a difference to some degree.Dielectrics are easy to figure are gonna have their effects. They do in capacitors and unlike the conductor issue, it's all easily measureable to some degree. Problem is, there's a practical limit to what you can do about it. Anti-gravity wires that suspended themselves apart at a fixed distance from each other and from the floor would be pretty cool... but I have a ways to go to pull that off for the time being. In lieu of that, i figured I'd use the next best thing - cotton. It's good for damping micro-phonic vibration too. Although, that's typically not much of a problem as there's little of any current flow in ICs, so magneto-striction isn't really and issue like it is in inductors. Voltage induced electro-striction isn't either due to the low voltages and low conductor surface area as well.Geometry will affect the L/C variables in a big way, but academic engineering says that's irrelevent and we're all nuts to think otherwise. My research has shown that is definetly not true, so that's why I've developed the geometry I did.The "EEs" out there can go pound sand if they think otherwise. I could tell them why they're wrong - especially when it comes to speaker cables, but I'm not of the mind to give away my secrets just to educate people that don't know how to think and are supposed to be smarter than I am. The reason L/C parameters make a difference is starring them in the face and doesn't require PHD status to understand, just a "system's" aproach to engineering and looking at parasitic interface effects rather than the simple first-order approximations they like to stand on.Hey... I'm feeling charitable tonight after all. Question: Is a speaker load a resistor, and is a resistor in a line-level input stage just a resistor? This crap is too easy and shouldn't require an explaination. You wanna learn "deep"? Just talk to John Curl some time about input stages - he'll tell ya.Anyway, if I'm wrong and dillusional, I have plenty of good company. Starting with John, working down through Frank Alles, now Danny and then throw in all the BB customers out there... plenty good company to be associated with. Take care,-BobPS. John told me about some guy that posted an article over on Audio Express (or in the magazine) where he used extremely hi rez measurements down to something like -190dB!? He found all kinds of effects with cables and even measured directionality differences. Anybody know anything about that? I looked over at AE and couldn't find anything, but boy would that be cool to get some more info on. If anybody knows, please share with us. Thanks!