Hi Neil,
Many thanks for your post, and welcome back after a spell!

I did not broadcast this, perhaps I should have. It went very, very well, beyond my wildest dreams, in fact.
The Diana Krall 'Temptations' number and Bach's Toccata and Fugue in D minor received standing ovations from the club.

I like to think it was my witty, entertaining patter, but I think it was the sound quality....
It filled the room effortlessly with about 110 people present - a huge turnout - and no one in the room complained of missing out because of the room acoustics, itself an achievement as it's a square box with all the usual appalling public acoustics.
The 12" sub, powered by a LF100 amp, BOTH channels, one on each voice coil, and using passive crossovers, gave wonderful integration and tectonic power.

Every cycle of the 32' Diapason stop on the organ from Carlo Curley was audible, it was La Stupenda......
One guy said he'd attended almost every meet of the MAC in about 15 years and this was the best sound he'd heard by a wide margin.
At the end of it all, Matt, a close friend and the President, handed me a box of very nice chocolates, which Steve and I had devoured by the time we'd driven the 15 miles home!

My thanks to all who attended, and who were kind enough to support me in this endeavour - I was still soldering interconnects at 6pm - in particular, Laurie, the VSonics/Big BEN designer, Steve, the DJ for the night, James, for his Pass preamp, and David, for his Rega Saturn.

More on the amp later. However, it's the EIGHTH iteration of the Maya, now almost complete, and a 150W per channel prototype, though Colin Brown in Canada has one too. Without his input and constant auditioning none of this would have been possible. The results are beyond anything I'd expected, still can't believe it. This is a worthy flagship model with the Soraya a very close second.

A night to remember.....

Hugh